Los Lobos Brought the Jams for the Benefit of PBS on Cinco de Mayo

Los Lobos Brought the Jams for the Benefit of PBS on Cinco de Mayo

By Greg M. Schwartz

Unlike any other band, Los Lobos can provide a uniquely multi-cultural soundtrack for Cinco de Mayo in the City of Angels. 26 May 2015 // 9:00 AM

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//Recent Reviews

19 Aug 2005 // 12:00 AM

Red Eye (2005)

Tough, ingenious, and completely fun to watch, Lisa makes the narrative absurdities seem largely irrelevant.

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The Edukators (Die Fetten Jahre Sind Vorbei) (2004)

The Edukators see the executive's wealth as a kind of state-sanctioned violence, as it's only achieved by the poverty of others.

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Deuce Bigalow: European Gigolo (2005)

The man-whore's back.

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19 Aug 2005 // 12:00 AM

Asylum (2005)

The affair leads to disaster, not least because Stella feels compelled to punish Max for his emotional abandonment.

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	Various Artists: 80 Records and We’re Not Broke (Yet)

Label sampler/celebration has much to offer for hardcore and punk music fans.

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18 Aug 2005 // 10:00 PM

	Slough Feg: Atavism

The latest album by the Bay Area band celebrates everything that was great from early '80s heavy metal.

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The New Pornographers: Twin Cinema

Highly anticipated third full-length from Vancouver collective offers up another round of smart, audaciously engaging pop.

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	Moping Swans: Lightninghead to Coffeepot / Circus Devils: Five

In this double-dose of Robert Pollard, one is not like the other.

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	B.B. King: The Ultimate Collection

Regal in name and stature, the King of the Blues is paid tribute with the latest thumbnail sketch of his historic career.

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	Ernest Dawkins’ Chicago 12: Misconceptions of a Delusion Shades of a Charade

The future of jazz in Chicago is a bright one, indeed.

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More Recent Reviews
//Mixed media
//Blogs

A Crooked and Unseen Highway: lowercase - "She Takes Me"

// Sound Affects

"The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.

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