Call for Essays About Any Aspect of Popular Culture, Present or Past

Reviews

Monday, April 20 2015

Sarah Gayle Meech: Tennessee Love Song

Nashville's Sarah Gayle Meech will just as soon kick your ass as she will break your heart on Tennessee Love Song.


Anonymous 4 with Bruce Molsky: 1865

A vibrant and lively collection that will please a wide variety of listeners who open their ears to its many layers and surprising connections.


Friday, April 17 2015

‘Unfriended’, Social Media, and the Horror of Sharing Too Much

Unfriended raises a few good questions concerning how social media works, how it is used, and also how it shapes experience.


‘Child 44’ Is a Suspenseless Soviet-Era Misstep

By adding too many subplots and political asides to the true story of Soviet serial killer Andrei Chikatilo, Child 44 becomes a deadly bore.


Disneynature Lets the Clichés Overpower the Footage in ‘Monkey Kingdom’

As Monkey Kingdom turns into another cookie-cutter family film in which the underdog overcomes all odds, it's easy to lose track of the incredible documentary footage.


John Carpenter’s ‘Escape From New York’ Is an A-Grade B-Movie

Playing a one-eyed special forces soldier, Kurt Russell has to save an inexplicably British president of America from a dystopian New York in this early '80s classic from director John Carpenter.


Tyler, The Creator: Cherry Bomb

Cherry Bomb is the first time in a long time that we’ve gotten to see Tyler grow up at all, but is it too much to ask for this 24-year-old man to mature a little faster?


The Staves: If I Was

The tightly woven harmonies of these three sisters evoke the old souls and sounds of British folk while offering an updated feminine perspective.


Therapy?: Disquiet

Therapy? never seemed to be programmed for longevity, but Disquiet shows us they aren't close to running out of gas.


Umphrey’s McGee: The London Session - A Day At Abbey Road Studios

Umphrey’s McGee’s ninth album finds the band taking a sojourn of sorts with a session at London’s landmark Abbey Road studios.


Emile Haynie: We Fall

Underground-turned-super producer Emile Haynie (KiD CuDi, Lana Del Ray, Eminem) stunt-casts his debut like crazy (Randy Newman?!) and against the odds crafts a very firm pop record out of the attention deficit.


Thursday, April 16 2015

‘Tangerines’ Is a Quiet War Film

As this Estonian-Georgian film shows, in harsh wartime conditions, something as unassuming as bringing in a tangerine crop safely becomes a significant metaphorical act.


Why Are Critics Falling All Over Deepti Kapoor’s ‘A Bad Character’?

Too many reviews of this book universalise Idha’s experience and praise it for providing a window into the Indian woman’s experience. Which women would that be?


Punch Brothers Pack a Punch in Tucson, AZ - 13 April 2015

Punch Brothers proved to the crowd at Tuscon just why they're one of the most celebrated bands in modern bluegrass.


‘That Man From Rio’ and ‘Up to His Ears’ Find Jean-Paul Belmondo Shirtless and Athletic

These eye-popping '60s French capers feature the legendary Jean-Paul Belmondo hopping the globe in a series of illogical but zanily fun adventure pieces.


Lapalux: Lustmore

Lustmore is a widescreen vision narrowed by delicate sonic focus that, unlike so much beat music, commands attention.


James Blackshaw: Summoning Suns

Summoning Suns is a perfect entry point into James Blackshaw's eclectic musical journey.


‘Times Beach’ Gives Us Theater, Free-form Jazz, Art Cinema, and Southern Gothic Literature

Times Beach is less a collection of poetry as it is an anthology of performance art presented under the guise of poetry.


The Damnwells: The Damnwells

The fifth album by this Brooklyn-based quartet provides a tribute to their dogged persistence.


Bettye LaVette: Child of the Seventies

This re-release provides evidence that Bettye LaVette should have been famous decades earlier.


Now on PopMatters
Announcements
PM Picks

© 1999-2015 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.