Friday, October 25 2013
A.N Wilson's The Elizabethans is a very readable history, despite the author's inability to get out of his own way.
Tuesday, September 2 2014
What was billed as the biggest fight between Wolverine and Sabretooth to date ends up being a total rip-off.
Most people know Christopher Nolan’s Insomnia; few people, regrettably, know the superior work from which it is adapted.
There are brains here, interesting tidbits that make you think. They're scattered all over the place, like matter without thought, without movement, without electricity.
The game earns a trust that allows you to let go of your worries and to just let the mood wash over you, vagaries and all.
The Captain America movies are well-suited to mix and match time periods with a comic-book-y flair.
Swimmin' Time is the product of our generation's June Carter and Johnny Cash after the messy past has been laid to rest.
Barragán is aimless and directionless, and it’s hard to see what the group is trying to really do here other than make music that somehow pleases itself.
Put a thousand monkeys in front of a thousand Google searches, and eventually...
There is a dark, dark humor that bubbles up on occasion, but its dry wit can't keep the record from being a depressing listen.
The M-Base trombonist returns with a slippery, funky mix of rock tunes and originals.
Somewhere between remixes and a live album, this brief collection would be less of a let down if the band weren't about to end.
Friday, August 29 2014
Eric Merola's documentary shows us what happens when our everyday language must be turned inside out.
Ironically, this film also takes pains to point out the obvious pratfalls of making yet another serial killer film in the first place.
Thursday, August 28 2014
The film reminds us of just how difficult it can be to find one's own tempo amidst radical changes caused by unjust circumstances.
Video Revolutions is a brief, brilliant inquiry into the history of a complex, contested medium.
The troubling implicit moral at the end of The Love Punch encapsulates the film's insubstantial construction.
Abbas Kiarostami's film subverts viewer expectations of what makes a film satisfying, or even enjoyable.
Pale Communion is both the culmination of Opeth's journey toward classic progressive rock and its best work since Ghost Reveries.
The often quick-working Segall took 14 months to make Manipulator, but it's not so much a wild departure sonically as it is a return to and refinement of tangents we've heard from him in the past.