CFP: The Legacy of Radiohead's 'The Bends' 20 Years On [Deadlines: 29 Jan / 12 Feb]


Wednesday, September 25 2002

Modern Burma isn't so much a country as the residue of a British imperial political organization thrust onto several divergent peoples. To argue for ethnic independence is to argue for Burma's devolution, something the world community isn't likely to tolerate.

Into the Buzzsaw: Leading Journalists Expose the Myth of a Free Press by edited by Kristina Borjess

With almost one voice the essays contained here contend that the modern news business -- where the emphasis on the bottom line has almost trumped the traditional sanctity of the byline -- has become just that: a business.

The Accidental President: How 413 Lawyers, 9 Supreme Court Justices, and 5,963,110 Floridians (Give

The most remarkable portion of The Accidental President concerns the final Supreme Court decision that effectively appointed George W. Bush president. Most of the criticism leveled in the book is fairly light, but at the end Kaplan rips into the Supreme Court decision.

Tuesday, September 24 2002

Kelly Willis: Easy

The current crop of those most successful female singers who fall into the genre slice known as alt-country excel because they all bring something beyond

Supersprite: Color Mixing

The first track brings us into Supersprite’s world by introducing the cast of characters: vibrating, turning, shimmering electronic sounds. Yet this track also immediately

The Moonglows: The Best of the Moonglows (20th Century Masters: The Millennium Collection)

Fifty years ago, a Cleveland deejay named Alan Freed hosted a radio program called the Moondog Rock and Roll Party. Freed believed that white audiences

Kevin Mahogany: Pride and Joy

Before Kevin Mahogany emerged in the mid-1990s, male jazz singers had become a nearly extinct species, with no heir apparent to the giants: Jimmy

Midtown: Living Well Is the Best Revenge

Pop-punk is an almost inherently funny thing. The term alone is contradictory: if you’re so “punk”, then you shouldn’t care about pop sensibilities.

Led Zeppelin: Physical Graffiti

Choosing the best record of all time, the top record or your favorite record is impossible for anyone. For a music critic, it is quite

Dizzy Gillespie Alumni All Star Band: Things to Come

Dizzy Gillespie loved big bands. Although he will forever be primarily remembered as Parker’s co-revolutionary, their joint ventures actually formed a tiny fraction of

The Gloria Record: Start Here

It finally happened. Indie has broke into the mainstream, mainly due to the popularity of Chris Carraba’s Dashboard Confessional (which, of course, defied my

Monday, September 23 2002

David Weiss: Breathing Room

If, as I would like to imagine is the case, the jazz shelf of your record collection is heavily populated with Lee Morgan, Hank Mobley,

Slum Village: Trinity (Past, Present and Future)

Slum Village’s sound is that of seduction. No, they’re not R. Kelly-imitating wanna-be playboys, but hip-hop aural interior decorators with a knack at

Maserati: The Language of Cities

There’s something about instrumental rock music that makes the music slippery, hard to get a hold of. It’s purely about sound, with none

The Icicles: Pure Sugar EP

There’s something very special about the Icicles. The Grand Rapids, Michigan group has created an EP here that’s every bit as sweet as

Hello From Waveland: Strangeways

Hello From Waveland are a firebrand of a live band—dressed in vintage suits, the four-piece exudes more energy than most punk bands you could

Hrsta: L’éclat du ciel était insoutenable

Mike Moya, the man behind Hrsta, has been doing great work for some time in Montreal. He’s a founding member of godspeed you black

Mary Ann Farley: My Life of Crime

After her 1997 debut disc, Daddy’s Little Girl, Mary Ann Farley was a critical success among peers and her influences. Sharing the stage with Squeeze,

The Sopranos

While reality hounds might say that this is exactly how banal contemporary mob life is, they might also remember that a stamped certificate of authenticity doesn't inoculate drama against tedium.

Push, Nevada

In Push, Nevada, producers Ben Affleck and Sean Bailey have come up with a show that is, oddly, both original and formulaic.

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