Monday, December 16 2002
The Clientele are not a Friday night band. Granted, their songs do often live in the weekend, but they don’t belong to the rollicking,
Sunday, December 15 2002
Songs in the Key of Life is the sprawling vision of a man whose sight has been rendered infinite by the power of love and faith.
I had no idea what these album-opening lines meant, but I knew, somehow, it would change my life. It was August, 1986. I had just graduated
“This Columbia high fidelity monaural recording is scientifically designed to play with the highest quality of reproduction on the phonograph of your choice, new or
In a way, the songs have become part of me, and playing the album more of a rite than a listening experience. I suppose when art reaches the level of Blood on the Tracks, it is religion.
Friday, December 13 2002
Moans out the way first. No dates for any of the tracks, and one CD is a bit of a joke to cover something as
It’s that time again (seems to happen earlier each year) and while many shop until they drop, their ears likely are assailed with holiday
James Taylor singing “How Sweet It Is”. Linda Ronstadt doing Smokey’s “Ooh Baby, Baby”. Simply Red’s Mick Hucknall’s reading Gamble and Huff’
If you’ve heard it once, you’ve heard it a hundred times. You’ve probably heard it so much that you can anticipate the
All good things must come to an end. After six years as hip-hop’s most dominant force, Jay-Z has finally fallen off. But like all
The quiet Beatle sings out one last time and the result is a phenomenal solo album, spiritual and uplifting in a way that serves to
David Gray is making his case for being named official folk singer of the new millennium. Working again with Producers McClune and Polson on his
Home is a definite top pick for 2002, and certainly kicked country music in its ass once again when it needed it the most.
“We know that we’re just a buncha schmucks that can’t play for shit and sure as hell can’t sing, but for some
As Nemesis amply demonstrates, the franchise is getting quite long in the tooth.
This 'ethnic' modification of 'Pretty Woman'-meets-'Working Girl' uses the 'iconic' Lopez strategically.
Max von Sydow paints an empathetic portrait of the terrible consequences of misused power.
Its enthusiasm is hard to resist.
The expression on Schmidt's face every time he encounters another crisis does not convey anger, but befuddlement.
Wednesday, December 11 2002
In the mid-‘90s, a group of instrument wielding mathematicians devoted to the sea gathered together to form the influential rock collective June of 44. Like