Monday, August 12 2002
16 Horsepower is, in seven sentence fragments or less: pure bluegrass. Johnny Cash. A midnight field, full moon. The crackle of campfire on a dark mountainside.
Led by too much hype and too little talent, New York’s rock ‘n’ roll scene—the one that had been dead for a while—
It is almost worth buying this record simply to disprove the claim that, in this increasingly corporate age, individualised, experimental music is a thing of
On Braille, Calliope’s fourth album, the Michigan quartet tries to throw in a good bit of everything. There’s folky twang, melodic pop sheen,
People who watch The Cartoon Network regularly listen to Bis; they’re the band playing the theme song to the Powerpuff Girls. With the wonderfully
Friday, August 9 2002
Xander is a bad ass with a heart of gold.
Tony Wilson lived for the explosive moment.
Juni and Carmen's perspective, part convincingly ingenuous and part movie-kid calculated, organizes the film's general view of things.
Explores a dark side of stand-up comedy, but relies on stereotypes rather than shedding new light on the subject.
Into Justine's black hole of a routine walks Holden glowering, self-consciously poetic, urgent.
A diluted reissue of Tung Wai's Hitman.
Thursday, August 8 2002
I love the current trend of record labels re-mixing, re-packaging, and re-releasing my favorite albums from middle and high school in order to win my
At night strange light will appear in marshes that flitters and dances for a few moments before it disappears. Known as will o’ the wisps,
If you’re looking for classic Springsteen, look no farther than “Further On (Up the Road)”, a rocker about companionship fueled by three guitars, a
Brian Dougans and Garry “Gaz” Cobain came together in the early 1990s to form an out-there techno duo called the Future Sound of London. Their
Note: Tracks in bold are compiled on The Essential Earth, Wind, and Fire More than any group during the 1970s, Earth, Wind, and Fire negotiated
Talk about spreading yourself thin. First, you release a landmark track, “In/Flux”, that more or less inspires countless beat junkies and critics to claim
Wednesday, August 7 2002
I know lounge now includes chill-out, trip-hop and even deep house within its very marketable remit, but I hadn’t realised it had swallowed up
In this reviewer’s perfect world, everyone would own and absolutely love at least one Too Much Joy album. It wouldn’t even have to