Sunday, January 1 1995
In 'Storytelling', when Vi exclaims that her story 'really happened,' her professor observes, 'Once you start writing, it all becomes fiction.'"
The most annoying aspects of 'Say It Isn't So' have to do with its uneven tone, part ironic, wise-cracking condescension and part clueless, mean-spirited condescension.
hy would anyone want to play a talking donkey? We might suppose that doing voices for an animated movie is less stressful than acting in live-action pictures, that actors are well-compensated, or that doing a movie 'kids can see' is appealing to many movie stars.
Intrigue, deception, display, betrayal. All this is what it is, typical action flick sex-play, foreplay for the big explosion or something equally prosaic.
No longer are epic adventures the province of fair maidens and proud knights. According to 'Shrek', everyone is deserving of fair treatment and true love. Even a dragon and a talking donkey.
'The St. Francisville Experiment' is 'Blair Witch' meets 'The Haunting' (the terrible 1999 remake) meets 'Survivor' meets bad porno.
The office is burglarized and specific hard drives are missing -- sabotage or coincidence? Is it possible to be paranoid in a business where the stakes are so high and the egos so large?"
Clint Eastwood, I guess, will always see himself as the ultimate icon of masculinity for his generation. The young Eastwood saved the Western film genre
Teen romances are a dime a dozen in the U.S. They tend to focus on themes like alienation, individuality, and rebellion against parents, society,
'Someone Like You''s press kit describes Eddie and Jane as a 'Hepburn and Tracy of the modern era', but its undercurrent of painful loss and compulsive grief avoidance is precisely missing from movies like 'Desk Set' and 'Adam's Rib'.
As much as it's being touted as a Welsh Romeo and Juliet, Solomon & Gaenor never quite reaches the level of urgency.
There is a moment in the 1990 film Flashback, when fictional hippie fugitive Huey Walker (Dennis Hopper) turns to his FBI captor (Kiefer Sutherland) and says, “
Ride with the Devil is essentially two films in one. The first is a story of loyalty - to family, community, and nation - tested in the social and political upheavals of civil war. The second is a story of male bonding and love in a homosocial order, the negotiation of male-male desire, and male domestication, all triangulated and enabled through the body of a woman.
In 'Riding in Cars', Barrymore plays to her strengths -- her ability to seem at once disarmingly open, as well as poised, ironic, and above all, delighted to be living her life.
A car drives through a bridge and dark city streets, passing the freeway sign 'East Bay Bridge, Oakland' on the way. A blasting hip-hop soundtrack accompanies opening film credits in overlapping English and Chinese characters.
Andrzej Bartkowiak's current film Romeo Must Die, which features the incredible martial arts skills of Jet Li, left me a little depressed.
Even a cursory glance at the coverage of the 2000 Olympics reveals Australia’s presentation of the Games to be focused on diversity and unity through
Kurosawa achieves an almost perfect fusion of storyteller and painter.