Reviews

Monday, October 15 2001

Saturnine: Pleasure of Ruins

What if, long ago, Robert Smith of the Cure and Michael Stipe of R.E.M. had decided to write some songs and form a


Steve Reich: Triple Quartet

Steve Reich’s compositional genius and influence over contemporary music—especially over recent developments in electronic music—have established him as a living legend. Perfecting


    New Order: Get Ready

On 'Get Ready', New Order create a new sound out of their own past. Mining the subtleties of melody and rhythm that were so pronounced throughout their career, New Order seem to have crafted themselves anew out of nostalgia and the timelessness of pop sensibility.


    James Mathus & His Knockdown Society: National Antiseptic

The Squirrel Nut Zippers caught a lot of flack for their neo-Dixieland/jump-blues/swing stylings. Perhaps it was a problem of “swing revival” street cred;


Hugh Masakela: Grazin’ in the Grass: The Best of Hugh Masakela

Hugh Masakela’s crisp but mellow trumpet tones will always be associated, by my generation, with the international Anti-Apartheid movement, to which he made a


    The Lassie Foundation / Duraluxe: I Duel Sioux and the Ale of Saturn

This is a split CD featuring what would have been a “side” on a cassette or vinyl LP each devoted to different, but similar and


Lit: Atomic

The sound of a helicopter fills your ears. A crowd roars as the propellers whip through your brain. A guitar starts whining like the voice


Ides of Space: There Are No New Clouds

In a not-so-bizarre-these-days instance of television imitating life, the Australian freshman outfit Ides of Space were featured on this week’s Dawson’s Creek. The


Eardrum: Side Effects / Orange Glass: Underwater Underground

 Orange Glass Underwater Underground(Brobdingnagian)US release date: 16 October 2001 by Jason Thompson eardrum-side.jpg :. e-mail this article:. print this article:.


Beatle Jazz: Another Bite of the Apple

Throughout the past four decades, the Beatles’ vast catalogue has been mined by various groups seeking to put their own stamp on the Fab Four’


Bertrand Burgalat: The SSSound of MMMusic

I don’t know about the rest of the country, but it’s starting to feel like something out of The Shining up here at


AM/FM: Getting Into Sinking

I miss the old days of the music industry. You know, when you could count on your favorite artist or band releasing an album per


Sunday, October 14 2001

Dave Olson: #80

Iowa City is a very small town. Highlights of the musical life here have included what I’m told is an annual visit from Jonathan


Beth Hirsch: Titles & Idols

When you think Air (the band), you think ethereal, progressive, limitless. That is why Beth Hirsch was enlisted by the band to sing on their


Saturday, October 13 2001

Keepers of the Carpet: self-titled

When a band markets itself from the outset as “nerd rock” influenced by Weezer and Nerf Herder you pretty much know what you’re in


Thursday, October 11 2001

Jane Siberry: City

Creative collaboration can be a wonderful thing wherein one plus one often equals more than the sum of its parts. The eclectic and multi-talented Jane


Wednesday, October 10 2001

Guided By Voices / The Slumber Party

Pollard & Co. Prove That Showmanship & Indie Rock Can Coexist In today’s world of indie rock, you could probably say it is rare


Tuesday, October 9 2001

Tori Amos

Before the Altar of Tori Amos Quite suddenly, the house lights went out. The crowd was ecstatic in anticipation, wildly screaming and shrieking at the


The Clarks: The Clarks Live

Despite an intensely loyal and sizable local fan base, Pittsburgh based rockers The Clarks remain one of America’s best kept musical secrets. But as


Monday, October 8 2001

Various Artists (mixed by Slipmatt): Speed Limit 140 BPM+: The New Era

I haven’t deejayed since the late ‘80s, when a kid named Sam Donaldson (no relation) and I busted it up for my little brother’


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