Monday, September 17 2001
In a recent Spin feature, the members of Radiohead were asked to name their favorite albums of 2000. The one record that showed up on all
I love classic Alice Cooper albums. There’s a lot of rock and roll joy to be found in such LPs as School’s Out,
Collective Soul are definitely an interesting, if somewhat strange band. Over the course of a seven year career, the band has sold more than five
It’s been a while since I’ve heard from Curve. I was a fan of theirs from the beginning. When Doppelganger came out back
A funny thing tends to happen to bands whose early notoriety is based around catchy songs despite a conspicuous lack of technical competence. From this
It’s good to see that not EVERY new rock band supported by major labels has to be a Blink 182 clone, Limp Bizkit rip-off or
Aesop Rock, an MC who spins an enigmatic web of words like some sort of high-strung, whacked-out prophet, makes a striking mark with Labor Days.
Sunday, September 16 2001
Every insurgency has its counter, as anyone in the CIA will tell you. Thus emo has its backlash in the adherents to the gospel of
Tuesday, September 11 2001
On September 11, Bob Dylan released a master work buzzing and sparking with the depthless energy of American folk music and charged with a faith in the goodness and potential harmony of the human community as wild and oceanic as Whitman’s.
Gold feels like a record hiding behind masks. Maybe Adams has spent so many years laying his heart out on the line that he’s trying to create a little distance
Monday, September 10 2001
Like all musical labels, the horrid “Asian Underground” moniker was much hated by everyone lumped together under it. All it really meant was “anyone with
The premise is that this CD is a musical journey along the I-10, a highway that stretches from Santa Monica, California to Florida, running roughly
Everytime I read or hear about Africa, I have to work to even imagine what a huge and ancient continent Africa is, second in size
Though we associate the folk and blues revivals with the 1960s, the movement has its origins much earlier. The interest in an 'authentic' folk as opposed to 'pop' music has a long history.
America has been blessed with more than its share of roots music troubadours. . . . Musicians like Leadbelly, Lonnie Johnson, Mance Lipscomb, Jimmie Rodgers, Bob Dylan, Mississippi John Hurt, Townes Van Zandt, Woody Guthrie . . . and Arthel 'Doc' Watson.
Once upon a time, They Might Be Giants saved my life. Well, okay, not literally saved it, but they did offer me a sense of
“Something awful has happened; something terrible. Something worse, even, than the fall of man. For in that greatest of all tragedies, we merely lost Paradise—
This is Monster Island hip-hop. That’s the absolute best description I’ve been able to come up with, after a couple of weeks of
Oh Holy Fools: The Music of Son, Ambulance and Bright Eyes, released earlier this year, was filled with eight heart-baring pop/rock songs, four from