Wednesday, August 21 2002
If hip-hop is as American as apple pie, then the language it uses, a language that some call coarse and others call authentic has become the currency of hipness and modernity.
Explores the lengths one man will go to for a shot at stardom, and to say those lengths are extreme would be an understatement.
Tuesday, August 20 2002
Wacky, wacky Sangster and Benson. Here they are, releasing a record called Benson Meets Sangster, implying that they’ve never met each other until these
No need to spend hours thinking of a clever marketing ilk for Raphael Saadiq’s solo project because he has willingly provided one for the
One thing that has always confused me is the phrase “Christian punk”. The two words seem to be contradictory to me. As cultural ideologies, Christianity
Wayne Shorter’s Footprints live! is the sax player’s first live album under his own name, which is difficult to believe given the length
With the exception of a tiny handful of bands, the entire genre dubiously titled “nu-metal” has grown as tired as grunge circa 1994, and glam metal
There was only one hip-hop album last year that blew me away: Cannibal Ox’s The Cold Vein on Definitive Jux Records. This dark futuristic
It must have spooked David Gedge, singer and guitarist of Cinerama (and, lest we forget, hero and frontperson from Leeds’ sorely-missed The Wedding Present) to
Monday, August 19 2002
Straight up, Schneider TM’s 1998 release, Moist wasn’t all that spectacular. And although this new record displays some rather interesting elements, it still doesn’
If it’s true that you can learn about the world from listening to music, then it must also be true that some of that
If you like the clean guitar sounds and fab beats of the Britpop songs of the mid-‘60s, then I’d say chances are strong
To a great many people, Stan Getz is the saxophonist who brought Brazilian music, specifically bossa nova, to the United States. There are few who
Still, if given just a token listen and treated like nothing more than background music, the true depth of Blacklisted is missed. The one aspect of the record that marks a stylistic quantum leap from Furnace Room Lullaby is the quality of Case’s lyrics.
Take a listen to the first track, “Rock ‘n’ Roll” here on Stephen Ashbrook’s album American B Sides. It pretty much tells the whole
Sometimes, you just can’t go home. Or perhaps, to put it more accurately, you shouldn’t go home. Johan Angergard formed the supremely mismonikered
These days, there’s been a lot of talk about the resurrection of punk/post-punk by New York City bands. Generally, the narrative goes a
Maggie is more intent on teaching life lessons than providing visual candy or sheer entertainment; this is granola, not Lucky Charms.
The series repackages recorded crises and dramas into four one-hour episodes, compressing daily life and death into a glossy, strangely unreal product.
For the conflicted soap fan longing for a simulacrum of realism, EastEnders is an addictive slice of heaven.