J.D. Wilkes Puts the American South's Contradictions Up for Reconsideration

J.D. Wilkes Puts the American South's Contradictions Up for Reconsideration

By Catherine Ramsdell

A novel that believes monsters are “as much a part of us as our penchant for fried chicken and turnip greens.” 30 Mar 2017 // 8:30 AM

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//Recent Reviews
Methyl Ethel: Everything Is Forgotten

Methyl Ethel might not forge anything very unique in their introspection, yet their power to possess still manages to yield results.

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Lawrence English: Cruel Optimism

Lawrence English's Cruel Optimism is a noise-ambient gem and a work of pained beauty.

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16 Mar 2017 // 7:30 AM

Ed Sheeran: ÷

There are plenty of fine songs here, as long as you can see them through the knobs and faders.

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Swinging Two Hammers: ‘The Man Who Could Cheat Death’ and ‘The Skull’

Two British horrors with iconic stars about doctors who can't heal themselves and the women who love them.

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15 Mar 2017 // 2:30 AM

The Shins: Heartworms

Heartworms is a sonic course correction from 2012's Port of Morrow, but the songwriting is still spotty, so it's simply too little, too late.

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15 Mar 2017 // 2:20 AM

Joakim: Samurai

To listen to Samurai is to be regularly rebuffed in your efforts to firmly grasp something beyond its shifting surface.

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15 Mar 2017 // 2:15 AM

Eisley: I’m Only Dreaming

I’m Only Dreaming further solidifies Eisley as one of the best modern indie rock/pop groups.

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Philip Lewin: Am I Really Here All Alone?

A rare, long-treasured and rare loner folk touchstone is unearthed for a new generation.

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‘Personal Shopper’, a Personal Ghost Story

Olivier Assayas' most recent production offers layered thematic content and a strong performance from Kristen Stewart.

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Caroline Spence: Spades and Roses

Spence embodies authentic country; she has an incredible knack for enchanting listeners with her sweet soprano and emotional lyricism.

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//Mixed media
//Blogs

Boston Underground Film Festival 2017: 'Fraud'

// Short Ends and Leader

"Fraud is not merely an economic crime, it's also the mode of being in the modern age.

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