Reviews
Jessica Chastain Is Radiant in Hit-and-miss WWII Drama, ‘The Zookeeper’s Wife’

Good-hearted but artistically uninspired, Niki Caro's WWII drama fails to milk its source material for all its dramatic potential.

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‘No Quarter’ Neither Galvanises Nor Destroys Jimmy Page’s Mythic Persona

Jimmy Page's mythic reputation is preserved with grace and pathos in Martin Power's biography.

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The Semblance Structure of Cruelty in Felipe Cazals’s ‘Canoa’

Canoa teeters between an overriding aestheticization of violence and a perverse registering of the real.

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29 Mar 2017 // 2:30 AM

Wire: Silver/Lead

On their 16th album, Wire sound more like themselves than ever, yet refuse to become complacent.

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R. Stevie Moore and Jason Falkner: Make It Be

Lo-fi legend and power pop genius collaborate on a one-of-a-kind LP that tickles the brain as often as it tickles the funny bone.

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The Mavericks: Brand New Day

The music evokes the broad empty landscapes, sleepy cantinas, and heavy-eyed senoritas of the mythical past where the differences between bad hombres and honest men were not always clear.

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Lecherous Gaze: One Fifteen

Lecherous Gaze continues earning its genre-jumping wings, one hyphen at a time.

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Like Zelda and Scott Fitzgerald, ‘Z: The Beginning of Everything’ Is Flawed But Unconventional

Christina Ricci plays Zelda as a woman walking willingly and half-knowingly into disaster.

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Martin Scorsese Gives His Own Voice to ‘Silence’

Martin Scorsese's quiet religious epic gives a definitive take on a book that thrives in its ambiguity.

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Caitlyn Jenner, Rachel Dolezal, and the Shifting Boundaries of Identity

Transracialism may and may not be as legitimate as transgenderism in the modern push for fluidity of identity categories.

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Aimee Mann: Mental Illness

Happily, all is not melancholy here. The songs’ characters may be unloved and disturbed, but aren’t we all?

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Rodney Crowell: Close Ties

On Close Ties, Crowell sees his own failures and acknowledges that he may not have changed as much as he should have.

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Sebastian Barry Balances Beauty With Horror in ‘Days Without End’

Dramatizing an omnipresent American imperial force, this picaresque yarn speaks for its perpetrators and victims.

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Orchestra Baobab: Tribute to Ndiouga Dieng

Orchestra Baobab celebrates life and embraces change on a joyful tribute to a late lead singer.

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‘The Good Fight’ Offers Jarring Developments in “Social Media and Its Discontents”

In this episode ambiguity ramps up to 11, Maia doesn't know who to trust, and hate-speech is amplified, and confronted.

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‘Hokusai x Manga’ Explores the Roots of Manga

'Hokusai x Manga' traces the influence of popular Japanese visual art, from the 17th century forward, on contemporary manga.

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‘The White King’ Boldly Embraces Film as an Incomplete Form

Here are two storytellers that seemingly trust and embrace the cinéliterate audience to extrapolate, to understand, of their own volition.

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27 Mar 2017 // 2:30 AM

Pharmakon: Contact

Contact is the rare noise album that strives for connection rather than just confrontation.

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Mathew Lee Cothran: Judas Hung Himself in America

Mathew Lee Cothran’s Judas Hung Himself in America is a worthy addition to the electro freak-out canon, and a vital album for our time.

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Craig Brown Band: The Lucky Ones Forget

If good songwriting and twangy songs are your wheelhouse and you don’t mind some off-kilter singing, Craig Brown Band might be worth your time.

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Red Baraat Blows Hartford Hall Down Celebrating the Festival of Colors (Photos)

// Notes from the Road

"Red Baraat's annual Festival of Colors show rocked a snow laden Hartford on a Saturday evening.

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