Monday, February 9 2015
The elements of glorification and exploitation in The Jinx are enough to make one wonder if it supports accused murderer Robert Durst.
The X-men and the Guardians of the Galaxy come together again in a story that's as volatile as it is fun.
Several jokes in Citizens of Earth expose the Vice President of the Worlds’s exaggerated love of bureaucracy. Too bad the game is sometimes as much fun as cutting through red tape.
The focus on the dark side of Pryor's life gives this documentary the feel of an epitaph rather than a celebration.
As Nightcrawler compellingly depicts, every member of society is one rent payment away from tapping into their dark side.
Josh Tillman leaves the depression that triggered his beloved debut behind. In its place is the subject of love in all its beauty and messiness.
Just because their dad produced Transformers, it doesn't make Wardell bad people.
The guitarist takes his acoustic band (guitar trio plus vibes) for a spin on some classic fusion tunes from the 1970s.
The Notwist follow up last year's Close to the Glass with this collection of unreleased instrumental material.
With Dark Side of the Mule, Haynes and company’s faithful recitations do little to breathe life into already tired songs for those new to the Mule.
Friday, February 6 2015
There was a bit of cognitive dissonance in the air with the concept of Denson being 58 years old, because onlookers would be hard pressed to make such a guess.
Jeff Bridges, being very Dude-like, summarizes the motto of Seventh Son: "When you deal with dark, dark gets in you."
There's little subtext in this tale of the pineapple under the sea, but there is plenty of clever humor and scenery-chewing to rile up audiences of all ages.
At this point in the Wachowskis’ career, another hyped-up science-fiction saga about fate and humanity-as-cattle feels like less of a recurring theme and more like a lack of imagination.
While it's definitely a bit more difficult than I was expecting, the difficulty of Satellina is fair when the game is behaving itself.
This film's ability to balance character-driven stories with didactic critiques against the racist practices that haunt our daily lives speaks to a sophisticated outlook rare among first-time directors.
This Christian "blockbuster" thriller is a movie that looks and sounds significantly lower-rent than even the other low-rent thrillers Nicolas Cage has been doing lately.
Lupe Fiasco ends his troubled relationship with Atlantic Records with a thrillingly ambitious sendoff.
John Carpenter's non-soundtrack album is engrossing and dark, bringing to mind images from his best works both audio and visual.
Part of this Dogg's appeal always could be found in his strange sense of humor and gritty look at reality. He's not above being vulgar or afraid to be saintly.