Wednesday, April 2 2014
A fine collection of ELP doing what ELP was known for: flashy sounds, lengthy compositions, and gaudy playing. Brilliant and complex, yet soulless and repetitive.
Tuesday, April 1 2014
Cultural identity, sexuality, female empowerment, good versus evil, corruption of power, high school, these are just some of the more academic topics that we critics have used to frame discussions of the Chosen One and her friends.
With shifting politics and social structures, increasing mobility and advancing technologies in mind, how has the idea of the teenager changed over time?
You may not find yourself in lockstep with Frédéric Gros, but you will be glad you made the journey with him.
I didn't expect Anchorman 2 to be something the first Anchorman was not at all: a relevant, and dare I even say intelligent, satire on the state of news reporting in the US.
For its first album in nine years, Nickel Creek tames down the displays of virtuosity that defined much of their previous albums, offering up a more pastoral take on their otherwise “newgrass" take on bluegrass.
If Forcefield is about hitting you in the moment, it does that. Sadly, too many of these songs don't last for whatever moment comes next.
Experimental hip-hop meets abstract singer-songwriting on YYU's debut 12" record for RAMP Recordings.
Backboned with lush layers and driven by dreamy rhythms, the brother-sister-led band takes on a slightly darker indie edge.
More than 40 years later, the saxophonist, activist, and free-jazz pioneer revisits his musical response to the Attica Prison uprising.
Monday, March 31 2014
A recap of favorite foods and thoughts from The Village Voice's 'Choice Eats' event.
The Trial of Jean Grey ends, but neither justice nor injustice is served.
Impressively detailed and masterfully assembled, Mr. Selfridge focuses on class relations that can be both supportive and dysfunctional, and affected by external forces.
Clementine is an 11-year-old girl in an incredibly hostile world, and often her only tool to aid in her survival is language. Escaping danger, saving lives, condemning others are all based on the careful application of words.
If Sex in the City had been based on reality, it would have been more like the The Harm in Asking: My Clumsy Encounters with the Human Race.
Beneath has the tools to be a good horror flick: stranded teens; the decline of judgment in the face of terror; severed limbs; lots of blood.
On 2012's breakthrough Attack on Memory, Cloud Nothings' displayed a visceral, physical angst, focused on a series of anti-mantras. That album's great follow-up, Here and Nowhere Else, reveals the frantic mindset behind those calls to (in)action.
Quixotic (and that's just the name of the record label!) and plough-your-own-furrow he may be. But Glenn Tilbrook has the matchless quality to write a tune to his own enduring voice.
Holtkamp, of the duo Mountains, once again blurs the line between organic and electronic on Motion, an album that becomes a fascinating series of reversals and inversions.
While Cheatahs' self-titled debut might be in need of some streamlining, there are a few stunners hiding within this shoegaze release.