CFP: The Legacy of Radiohead's 'The Bends' 20 Years On [Deadlines: 29 Jan / 12 Feb]

Reviews

Thursday, February 20 2003

Gil Scott-Heron: Free Will

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Soft Cell: The Very Best of Soft Cell

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Paper Moon: One Thousand Reasons to Stay . . . One to Leave

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Doug Powell: The Lost Chord

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Owl & the Pussycat: self-titled

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Lil’ Kim: Hardcore

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Donny Hathaway: A Donny Hathaway Collection

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Devo: Q: Are We Not Men? A: We Are Devo!

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DJ Smash: Phonography: Volume 2

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Ani Difranco: Evolve

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Eric Andersen: Beat Avenue

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ANTiSEEN: Drastic / E.P. Royalty

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The Life of David Gale (2003)

Only Clint Eastwood could have cooked up a more dramatic climax to an innocent-man-on-death-row plot, which he did, in True Crime.


Gerry (2002)

By turns daunting and absorbing, the film is about movement that seems hopeless, that takes you nowhere, that's increasingly slowed but also increasingly urgent.


Divine Intervention (2001)

Suleiman proves himself an essential voice in world cinema because his formalism is inextricable from the political moment it documents.


Daredevil (2003)

It's unlikely that this gloominess accounts for Daredevil's big success. There are any number of plausible explanations -- the 'Sexiest Man Alive' and his J. Lo glow, the promotional blitz, the Marvel machine. No matter. Bring the pain.


Dark Blue (2003)

This is a scary city, where scary figures hang out on scary corners and slouch with scary insouciance. No wonder the cops are tense.


Wednesday, February 19 2003

Unknown Quantity by Paul Virilio

A work of mourning -- mourning for a humanity, an earth which has lost control through globalisation, through the irresponsibility of power-crazy politicians and businessmen.


She’s Not There by Mary-Anne Tirone Smith

It is sparkling, sophisticated and heady -- and more than a little addictive.


Our Votes, Our Guns: Robert Mugabe and the Tragedy of Zimbabwe by Martin Meredith

An intense extrapolation of the crises that have sullied Zimbabwe over the last three decades.


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