Thursday, October 28 1999
Deerhoof doesn’t sound like a band that you would drive 40 miles on country roads to hear.
Monday, October 25 1999
If newfound clarity and intensity aren’t enough for ya, buy it for the absolutely chilling version of “Straight to Hell.” Which isn’t just the Clash’s finest hour—it’s one of rock’s most haunting moments.
Thursday, October 21 1999
David Bowie is much too good for this. Please David, leave the “adult-boring” charts to Celine Dion, Mariah Carey and the rest of that lot.
Thursday, October 14 1999
Ultimately, Meeting People is Easy is a disjointed film with a meandering narrative that somehow succeeds despite its real lack of focus in capturing the chaos, pressure, and frequent boredom of the celebrity lifestyle.
Ray Charles is one of those rare artists that can convincingly traffic in virtually any genre of music and make it sound thoroughly his own.
Does capitalism have you by the balls? If you're feeling a little limp lately, a little flaccid, emasculated, or impotent, then David Fincher's Fight Club may just have your number. This film kicks butt, and in doing so it also manages to suggest that your need for it and for other butt-kicking films is a late capitalist symptom of contemporary psychosis.
Monday, September 27 1999
Monday, August 23 1999
Monday, June 7 1999
Robert Schneider is everywhere these days, mixing the recent Dressy Bessy release and popping up as a collaborator and producer on a host of Elephant 6-related projects.
Sunday, May 9 1999
Monday, May 3 1999
Ella Fitzgerald and Billie Holliday, apart from being the most important and best-known jazz singers of the last century, represent two sides of an interesting coin.
Monday, April 19 1999
Monday, August 31 1998
Monday, March 23 1998
Monday, November 3 1997
Monday, September 22 1997
Monday, March 24 1997
Monday, January 23 1995
Where most musicians seem content to respond and resignify, toying with mix and match flip-books, the Clientele move beyond pedigree charts and musical genealogy, eclipsing cultural context and conceptual frameworks.
Sunday, January 1 1995
It's no surprise that an anthology of this kind ['American Diaspora: Poetry of Displacement'] would come along sooner or later, but that shouldn't take away from its merits. This book needed to happen, both for its subject matter and for its delivery (and -ance).