Monday, July 29 2002
Despite strong anti-war sentiments in the 60's, this war comic was extremely popular with audiences.
Kurt speaks with A. David Lewis about his relationship with Marvel Comics, the difference between history and continuity, and what 'truly' matters to the readers.
Thursday, July 25 2002
In assuming Oscar's perspective, the film makes out like everyone is as smitten with him as he is.
A film that assembles layers of truth and untruth, faith and distrust, as characters struggle to make sense of the worlds they make and resist.
The so-called postmodern self-references of the previous Austin Powers films here become epidemic, though more is not exactly better. It's just more. And it is repetitive.
Wednesday, July 24 2002
Where the canonical Daydream Nation took aggressive trips into technical experimentation with clenched teeth and closed fists, Murray Street seems more interested in lighting up, putting the vibe in cruise control, and storytelling from the lighter fringe of the band’s sprawling creative geography