Friday, May 3 2002
'The Hostage' by Álvaro Uribe, is a nightmare scenario worthy of Poe--and its translation is nimble and facile enough that it doesn't get in the way.
Those familiar with Califia's work know it can be difficult to decide which is more disruptive to mainstream culture: Califia's writing, or Califia himself.
Children's television has never concealed its true intents; a half-hour long cartoon is as much an advertisement for a set of action figures as it is entertainment.
... sometimes they are just plain wrong. McDonough and Braungart see a world of abundance. A flight over Haiti or Romania would cure that delusion.
Thursday, May 2 2002
Spider-Man doesn't get caught up in its own snazzy special effects.
In the end, the class conflict is as mundane as the dialogue.
The reinvention of Hollywood Ending is not the film, but the 66-year-old Allen as self-promoter.
Human Nature is largely a study of the fine line between being innovative and being asinine.
A heavy-handed glob of a movie.
Stacy Peralta's propulsive [Dogtown and Z-Boys] is at once irreverent and reverential.
Wednesday, May 1 2002