Monday, January 23 1995
Where most musicians seem content to respond and resignify, toying with mix and match flip-books, the Clientele move beyond pedigree charts and musical genealogy, eclipsing cultural context and conceptual frameworks.
Sunday, January 1 1995
Susanna Kaysen's mission seems to be to put her life on the page. Famous for Girl, Interrupted, her autobiographical material fills volumes.
I confess to feeling a certain dread when I first heard that Ethan ('I have this planet of regret') Hawke was starring in Michael Almereyda's updated-and-abbreviated Hamlet.
What's to stop the 'others unknown' from targeting the INS office in Los Angeles and then the FBI office in Houston, Texas, according to one proposed plan?"
It's no surprise that an anthology of this kind ['American Diaspora: Poetry of Displacement'] would come along sooner or later, but that shouldn't take away from its merits. This book needed to happen, both for its subject matter and for its delivery (and -ance).
Newly married and deeply in love, the couple is known for their 'modern ideas', which means -- in the film's rather simplistic terms -- that they are willing to look beyond a man's deed and into his character. It also means that they make love often, curtains billowing in the background.
All battlefields are haunted, alive with the spirits of those who have fallen in the name of war. It's too bad that this Korean horror film set during Vietnam decided to rely on clichéd creeps to fuel its frights.
Rear Window's theatrical rerelease is, among other things, a showcase for mainstream moviedom's emergent special effects technologies.
Daniel Johnston's extensive self-documentation is sometimes eerie, as The Devil and Daniel Johnston has an abundance of material from which to cull its storyline.
The inspiration for this story came from Toby Tripp's experience working in the London Underground cleaning up the dead bodies of people who commit suicide by jumping on the tracks.
I have a tendency to be impatient with gothic and Victorian subcultures. As a child I loved monster movies, loved Dracula, loved the idea of demons and haunted houses. But as I got older and watched these mythological and very old stories become subsumed into the world of role-playing games and bad rock and roll, I became bored, critical and a real scoffer.
At the time of her death in 1988, Dori Seda's work was widely published, having appeared in Wimmen's Comics, Weirdo, and Rip Off Comix, among others. Seda did her own one-shot comic book called Lonely Nights Comics, and was well-known in the San Francisco underground comix community, where she worked at Last Gasp, first as a janitor and eventually as their full-time bookkeeper.
Quite simply, 'Outlaw Nation' represents the USA and while it's not evident how the analogy plays itself out at this early stage, it's clear that Delano is taking aim at the dark heart of America with this series.
There are no in-jokes, no 40 years of baggage or background, just an entertaining re-telling of the tale of Peter Parker and how he became the hero known as the Spider-Man.
Winick has put together a story that not only appeals to our inner Beavis and Butthead, or to our inner mad scientist, but which also satisfies our desire to have fun stories which, over time, truly amount to something.
With Ultimate X-Men, what should be just another Marvel flop turns out to be one of the best books Marvel's published in a long time. Millar captures the essences of the new, improved X-Men with stunning accuracy while tweaking the characters' histories and personalities enough to succeed in new-millennial revitalization.
That theme of loss and heartache echoes throughout the issue.
Imitation may be the sincerest form of flattery, but rarely does it make for an interesting, original story.
This is not your father's Batgirl.