Sunday, January 1 1995
'Blow' is all about how reality and money get mixed up.
The question I am left with, in relation to all these other characters, is what, if anything, are they satirizing?"
Someone I know organized an opening weekend group to go see The Best Man. As he reasons in the invitation he sent out to several friends, Hollywood pays attention to opening weekend box office receipts, and he'd like to ensure that this film's receipts make an impression on the powers that be. You don't see this kind of effort made for just any movie.
An action movie dressed up like an art film, 'Black Hawk Down' is not about betrayal or anger, but heroism and patriotic fervor.
Leo's much anticipated follow up to the record smashing Titanic has finally arrived, and it is, perhaps not so surprisingly, considering the hype to be lived up to -- an unmitigated flop.
We stop short of congratulating Bridget Jones with a hearty 'you've come a long way, baby.' After all, 'Bridget Jones's Diary', like 'Pride and Prejudice', is preoccupied with marriage.
Though it looks like it might have been fun to make, 'Bandits' never becomes subversive or screwball.
Of course, ambition, talent, good luck, and effort can only take you so far. The film addresses racism in the business by underlining the tour's lack of 'incidents.'"
In the end, the story of Brandon Teena is no less shocking and reprehensible for not being told particularly well. But 'The Brandon Teena Story' makes it hard to get a sense of the real person behind the blurry photos and sometimes suspiciously convenient anecdotes.
American consumers need to get on with the slam-bang business of (mediated) life.
In language, the gulf between seeing and knowing gapes. The phlegmatic British attempts to be polite and their ardent struggle to keep conversation going, however meaningless its content, become a powerful vehicle for both the pusillanimity of language and the soothing power of its white noise.
The Beast makes the systemic abuses of the time literal, as well as sensational and legendary.
A faithful filmic adaptation of Arenas' memoir could easily take six hours and still not capture the full impact of the book. Painter-turned-director Julian Schnabel ('Basquiat') consciously diverges from the traditional school of literary adaptation.
Bounce is straight in the sense that it stars Ben Affleck and Gwyneth Paltrow, and does not include Opposite of Sex-style bitchiness, much less wily jokes about masturbation, Hollywood morality, and the Planet Maturia.