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Reviews

Sunday, January 1 1995

Agnes Browne (2000)

Back in 1990, some years after Prizzi's Honor won Anjelica Huston all kinds of accolades and publicity, I saw her for a minute, in person. I was standing on line at an American Express office in Cannes, during the Film Festival for which she was serving as an official jury member"


Atlantis: The Lost Empire (2001)

There are no songs in the latest Disney animated feature, 'Atlantis: The Lost Empire', but there are lots of explosions.


American Movie (1999)

American Movie avoids the dishonesty and self-importance of most traditional documentaries by selecting a subject so genuine, specific, and original - and so flawed - that no matter what segment of the whole we're seeing, it seems very real and very very human.


Across 110th Street (1972/2001)

What distinguishes Across 110th Street's bloodletting from that in other Hollywood films of the time is its unsparing inescapability and its matter-of-factness -- these qualities give the work its moral charge.


Any Given Sunday (1999)

Oliver Stone's movies usually seem more complicated than they are. Partly this comes from his evolving style, from the curiously romantic realism of Platoon, to the assaultive ding-battiness of Natural Born Killers, to the debased lunacy of U-Turn. But mostly it comes from his obsession with a single theme: brutality. Or more precisely, how brutality becomes morality.


American Astronaut (2000)

Ground control to potential audiences of the The American Astronaut: be prepared for a series of impenetrable in-jokes, ridiculous special effects, and grating outbreaks into song.


A.I.: Artificial Intelligence (2001)

The nuclear family has never looked so perverse.


All the Pretty Horses (2000)

'All the Pretty Horses'... offers Penelope Cruz as the repeatedly slow-motioned, flowing-haired object of desire for would-be riders. As Alejandra, Cruz is less a character than an irresistible image, the Marlboro Man's wet dream -- she rides horses, swims naked, and pouts adorably when she's mad at her daddy.


Amores Perros (2000)

Perhaps more importantly, it offers a welcome antidote to Hollywoody visions of Mexico, revealing an urban Mexico that is neither sanitized nor demonized: for all the death in it, this place feels utterly immediate and alive.


American Beauty (1999)

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Amores Perros (2000)

Iñárritu's film has a badly broken heart sputtering beneath all the style, which is something Tarantino hasn't really had the guts to go for yet.


Any Given Sunday (1999)

Whatever you think about Oliver Stone as a director, you can't deny his firm grasp on this country's interests. From Vietnam to JFK to serial killers, Stone's pictures have always depicted major subjects of national fascination. With his latest release, Any Given Sunday, Stone looks to go his previous films one better by focusing on the most popular sport in America.


Adrenaline Drive (Adorenarin doraibu) (1998)

For most of Adrenaline Drive's 90-odd minutes, you're not aware of time passing or the fact that your shoes do not fit as well as they could.


The Animal

All unruly hair, puny limbs, and wide eyes, Marvin's another one of Rob Schneider's pathetic, unmanly bumblers, lacking the 'animal' instinct that apparently makes a real man.


America’s Sweethearts (2001)

Truly, Julia Roberts leads a charmed life.


The Adventures of Rocky and Bullwinkle (2000)

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Saturday, December 31 1994

Omar Faruk Tekbilek: One Truth

Mysterious, haunting, and deeply spiritual—or frenzied, energetic and explosive, this is perhaps the richest music that I’ve heard in quite some time.


Shack, H.M.S. Fable

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Tim Sparks: One String Leads to Another

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Steely Dan: Two Against Nature

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