Sunday, January 1 1995
Explains how humor is manufactured, packaged, and delivered to the masses.
Reading this book, it is easy to imagine a world where good writing sells, where the notion of story reigns supreme, and where the artful gesture is appreciated, even coveted.
...calls upon writers all over the world born between the years 1960 and 1982 to express the thoughts, hopes, fears, and concerns of 'Generation X', now that they're old enough to qualify for nostalgia.
This book, like a jewel made more interesting by flaws, is unique because we see authors genuinely struggling with the material to make it work. It is vital and alive.
Each story winds up with some kind of larger-picture statement about lesbian life, yet it falls short because you just can't sum up something universal about lesbian life in a two-page quip.
Dyson illuminates the complexities of King’s identity and challenges the boundaries in which King and his legacy have been forced to inhabit because of desires on the part of the King family, traditional Civil Rights leaders, and the mass media to neuter (pun, absolutely intended) his persona and his politics.
I do not knock the importance of counseling for people with serious problems... [but] only a culture like ours can develop on-line therapeutic support systems and then diagnose Internet Addiction Disorder.
Wild women, alcoholics, sluts, masochists, the lustful and the ravaged populate these stories with a vengeance -- not necessarily a political one, but a human one that demands that these realities be exposed and explored.
Gysin deserves much better treatment than relegation to a footnote in the history of the Beats, much more consideration than simply as a 'friend of Bill'.
These critiques, however, are as close as you can come to having too much of a good thing. 'Henderson's Spear' is a fascinating tale that teaches its readers small lessons about Polynesian life, the British royalty and the Korean war effortlessly without seeming overstuffed.
[Expatriate Indian] writers -- among others -- cannot write as 'South Asians' or about India without encountering controversies over authenticity that push and prod the author to define, albeit reluctantly, a national identity. Perhaps the only way to truly answer the question of identity is by refusing to answer at all, or answering only with the condition that the interrogator be thoroughly comfortable with hyphens.
The Holocaust’s Ghost: Writings on Art, Politics, Law and Education by F.C. DeCoste and Bernard Schw
After many generations of being inculcated with 'real' television and movie reels, we have found the Holocaust equivalent to less than fiction - a reified historical memory that frequently appears in our lives through various media outlets and forms, but little more.
Niles applies her brilliant one-liners to play havoc with are our pop-culture silliness.
While it sure isn't beach reading, Georges Minois's 'History of Suicide' isn't nearly as dark nor depressing a book as one might think. Which isn't necessarily a good thing.
Even as Jews were earnestly absorbing American life, they were twisting popular culture to reflect their own fear of alienation.
Most of the people here in Madison are like everyone else in the state: Packer lovin', Milwaukee avoidin', fried cheese curd eatin' 'Sconsinites, and that's that.
Tim McLoughlin's 'Heart of the Old Country' exposes the soul inside the seamy underbelly of New York. It's a gritty slice of life drawn from McLoughlin's experiences, as he reveals in an interview with 'PopMatters'.
The central unifier involves a computer programmer who leaves the Novell basement of Unix realtime and attempts to blend into corporate culture, thinking the 1950s ideal man is what he needs to emulate. Knowing he is socially illiterate, he figures the only way to acquire a wife is by taking a woman hostage. [Review and interview with Lily James, author of 'High Drama in Fabulous Toledo'].
[T]he mystery becomes, really, two mysteries: how someone so apparently skilled and dedicated to a life of writing poetry can fall so far; and second, why?"