Wednesday, March 26 2014
Reece Shearsmith and Steve Pemberton turn down the grotesque but amp up the insidious mixture of morbid comedy and genuine creepiness for this series of stand-alone tales.
Tuesday, March 25 2014
To some, the FBI's handling of MOVE screamed of the Attica prison riot; to others, it was more like the hunt for Osama Bin Laden, if you will.
The title of writer/director Craig Lahiff's Swerve is both predictably metaphorical and assertively literal, but the film itself is merely a road to nowhere.
Monday, March 24 2014
The Wolf of Wall Street becomes a frightening morality play wherein the morals worth celebrating or demonizing depend entirely upon the viewer.
Friday, March 21 2014
This unauthorized documentary offers a unique look at one of Eric Clapton's most fertile eras, but is light on the words of Clapton himself.
Thursday, March 20 2014
In Fear is moderately successful in illustrating the randomness of violence.
The monsters in Monsters look laughable, but if you're a fan of the show already, you probably won't care.
Wednesday, March 19 2014
Tess is the rare film that feels like a painting come to life, and just like a painting, allows us to see precisely what we wish to see.
Tuesday, March 18 2014
Naked As We Came doesn’t stand up well to naked intensity in any real form.
The unlikely team of Jason Statham, James Franco and screenwriter Sylvester Stallone gives us Homefront, a mediocre action flick that’s way less fun than it should be.
Monday, March 17 2014
Thief, like the best crime films, forces the viewer to rethink traditional conceptions of criminality.
Twice Born takes what has the potential to be an engrossing cinematic backdrop—the horrific Bosnian War—and turns it into cheap sentiment.
Friday, March 14 2014
This new 10th anniversary Blu-ray offers a pair of new interesting bonus features that have new perspectives on the film.
Thursday, March 13 2014
Russian transcendental filmmaker Andrei Tarkovsky’s expansive tapestries define meditativeness.
Ripper Street's greatest strength is to avoid direct reference to the killings as an investigative project and to treat them as traumatic events from which its characters are trying to recover.
Just why Acorn Media recently released Hetty Wainthropp Investigates: The Complete Collection nearly 20 years after its initial broadcast is hardly a mystery.
Wednesday, March 12 2014
The Returned asks a not-so-simple question about how the living would react to the return of the dead, and offers no easy answers.
Emanuele Crialese is a master at conveying mesmerizing images which contrast how the horrors of social injustice become almost invisible when set against exotic locales.
The Nazi base is shaped like a swastika; the little Nazi moon children grow up indoctrinated' the astronaut who discovers them is black. For God’s sake, this shit writes itself.
Tuesday, March 11 2014
Llewyn doesn't look like a nice guy: he specializes in unsmiling bumbling coupled with prickly stubbornness. Yet he becomes oddly endearing, oddly fast.