Friday, June 10 2005
The Travel Channel's World Poker Tour has helped make poker the hottest obsession around.
It is the footage of Klaus Nomi that best demonstrates the immense talent and heart that lie beneath what could have been nothing more than nightclub kitsch.
Thursday, June 9 2005
Trevor is an image disappearing, more about reduction and loss than self-knowledge and identification.
Wednesday, June 8 2005
The Bob Newhart Show manages to rise above generic formulas.
Tuesday, June 7 2005
More than anything else, Richard Pryor was a confessional artist whose monologues derived from his own chaotic and frequently self-destructive life, Brother Richard testifying from the lip of the abyss.
Sunday, June 5 2005
The poor Vibrators get a bad rap. On the surface, they seem to have a great punk pedigree, but as ubiquitous as they've been, the Vibrators are one of the most derided bands of British punk.
Friday, June 3 2005
The very process of documenting freestyle is at once contradictory and ambitious, futile and crucial.
Thursday, June 2 2005
In The Golden Girls, which can be exceedingly smart, this kind of writing just feels lazy.
The movie toggles over into autopilot, following the flight path established years ago by John Carpenter and Tobe Hooper.
Wednesday, June 1 2005
Such righteousness could have easily overwhelmed another TV series, but Roger Moore's charisma saves the day.
Tuesday, May 31 2005
This 16-song set documents the period in Lucinda Williams' career when she was about to leave the mortal realm of underground hero and enter the pantheon of great American songwriters.
'Truffaut had the dread of everything conventional. Above all, he detested the conventionality of the nonconventional,' Jean Gruault notes.
Monday, May 30 2005
There must be some better vintage live footage of the Stranglers out there somewhere.
Friday, May 27 2005
Synthesizer pioneer/nice guy Bob Moog deserves a thorough, artistically bold biopic. Director Hans Fjellestad isn't up to the challenge.
Thursday, May 26 2005
Choo-choo: Take a ride on the railroad with the Man in Black and learn one version of American railroad history.
The filming oscillates uneasily between Masterpiece Theater lushness and National Geographic-style ethno-voyeurism.
Christopher Reeve's film seems geared less towards portraying the warts and all existence of a disabled person, than showing what can be achieved with a little selfless dedication.
Wednesday, May 25 2005
The casual, chatty extras capture the series' spirit: whimsical, free-spirited, and tinged with nostalgia.
Tuesday, May 24 2005
Jay Farrar and co's lack of visual flair sinks an otherwise-strong set of alt-country tunes.
Being a network TV show and therefore bound by certain attractiveness requirements, The Lone Gunmen couldn't just follow the nerds.