Sunday, April 17 2005
On the demise of the Nat 'King' Cole Show, the star famously remarked, 'Madison Avenue is afraid of the dark.' When I Fall in Love: The One and Only hardly rectifies or sheds light on this disgrace in American broadcast history. However, in focusing on the hits, the DVD highlights the beauty of Cole's music for both the casual and critical music listener.
Thursday, April 14 2005
Director Kassell says, 'There's Kyra Sedgwick beating the shit out of Carlos Leon. I love this scene.'"
Tum doesn't so much triumph over adversity as take advantage of idiotic and inept opponents.
Part derivative, part original, and part twisted, the film quotes obviously from other serial killer films, beginning with its first shot.
Death, or that state 'beyond natural color', is Short Cuts' common denominator.
It is your basic road movie, tracking three teenage girls who fake being kidnapped, steal a car, and skip town.
Prisoner of Paradise is a fitting rebuke to Life is Beautiful. Entertainment is a diversion, not a survival strategy.
It is cinematic cotton candy, dissolving the moment it hits the tongue.
For Chris Doyle, the 'great challenge' is shooting any emotion, 'taking ideas and turning them into images'.
Based on three Snicket books, the film mostly takes the kids' perspective, and so delights in the gooey and the ooky.
Ambitiously humanitarian, the film uses Paul's plot to allude to the broader tragedy.
Pedro Almodóvar's commentary is as seductive as his filmmaking.
Wednesday, April 13 2005
He's doing what he wants to do, and if that appeals to both 20-year-olds and 80-year-olds, well, so be it.
A glimpse into Nanci Griffith's early days of promise as she stepped into the limelight with a live recording.
Thursday, April 7 2005
We don't know their past, we don't know the extent of their connection, but we're in love with these characters.
We are more eager to see how Ellen is going to muck it up than to believe she's looking for a partner.
Coccio's movie looks both chillingly insightful and despairingly naïve.
Whispering Corridors' ghost story comments on the harsh South Korean education system.
Twentieth Century reveals the self-consciousness of theater, its falseness and its glory.
Amid the road-tripping and the boy bonding, it is Maya who resonates at last.