Monday, February 28 2005
Our Town is revered for its simple structure and shorthand summation of the human journey.
As hard as he tries, Albert can't quite keep up with the Jaffes' questions, let alone their answers.
Much like John Moore's Behind Enemy Lines, Phoenix splices together traditional and current action movie clichés and rhythms.
Thursday, February 24 2005
The Shield's moral center perpetually shifts, as the Team members struggle to maintain their sense of balance, caught between the outright villains and their own dishonesty.
Frank's newly troubled family life was the first of many alterations made to the format of Millennium during its second season.
If Sam the Man didn't tackle some difficult relationship questions so perceptively, its horrible lead and crappy lighting would have sunk it.
As survivor Henry Meisel observes in one of the supplemental, extended interviews: 'It's amazing how people can improvise.'"
As the last bill appears -- a three dollar 'bogus' bill featuring George W. Bush's face -- Spike Lee laughs. 'Hopefully, by the time you're seeing this DVD, he'll be out!'"
While the director suggests he wants make an objective film, Nine Good Teeth is undeniably skewed to display Nana in the best possible light.
Having failed to hold onto small-town American values during the late '60s mod explosion, the nuclear family man here flees to the bottom of the sea.
Precisely composed frames of urban and ancient architecture give way to Karen's face, deftly shadowed and shot from low angles, as Karen struggles to decipher the symbols that set her course.
The film's point is to suggest that emotional withdrawal is symptomatic of contemporary Japanese culture.
At an hour and a half, the film is transporting to look at but only intermittently fun to watch.
Wednesday, February 23 2005
In their first (but hopefully not last) concert DVD, these alt-country stalwarts damn near blow the roof off Hollywood's Troubadour.
Thursday, February 17 2005
And so Louie is suddenly a sensitive guy. It's a typically funny and revealing moment in Taxi's second season.
The DVD offers yet another avenue to the Yes Men's visibility, and, as they hope out loud, inspiration for others to make trouble in their own ways.
Sister Helen was, by the movie's account, an unpleasant person: hard, focused, and motivated by the kind of purposeful regret that verges on self-loathing.
Sonnenfeld keeps all of this under two hours by cutting the movie at a dazzling clip. The film moves like Travolta, quickly and with style.
The problem embodied by Donnie is at once mundane and painfully special, the dilemma of fate vs. free will, laced though with unanswered questions of identity and responsibility.
Dottie Gets Spanked contextualizes and foretells the artfully designed surfaces and off-kilter universes of Haynes' later successes.