Monday, January 17 2005
It's intellectual vanilla pudding; pleasant enough while it's going down but nothing you'd ever crave.
This So-Called Disaster is more impressionistic than comprehensive.
Following the law of diminishing returns, the straight-to-video Species III is the least effective entry in the trilogy.
Bo stalks the paparazzi with an obsessiveness that trumps their stalking of him -- but it's okay, because he's defending his family.
The Girl From Paris details the ways that farming is lonely and difficult.
This is the film's premise, that Sam's existence is simultaneously ideal and outrageous, typical and desirable.
According to screenwriter Frank Cottrell Boyce, 'The 20th century was the Freud century, and the 21st century's going to be the genetics century.'"
The camera is as restless and as relentless as its object, Phoolan Devi.
Things are never as simple as administrations would like us (and themselves) to believe.
Sunday, January 16 2005
Of all the acclaimed groups birthed by the 'Bristol' trip-hop sound of the early '90s -- an exclusive group that includes such unquestionable luminaries as Massive Attack, Smith & Mighty, Tricky and Portishead -- Morcheeba have always been considered the underachievers.
Goldfrapp is one of the finest musical talents to have emerged in the first half of this decade.
Monday, January 10 2005
The first black Heavyweight Champion of the World, 1908 to 1915, Jack Johnson was rowdy, smart, rebellious, and proud.
Women in prison. What wonderful, wanton images those three words conjure up.
Tim's determination to add 'more power' to every household appliance or gardening tool speaks to his skewed sense of what it means to be a man.
The Hermitage represents the climax of the Russian aristocracy's longtime fascination with Europe.
Shocking and mocking his way through the mid-'80s comedy scene, Bill Hicks invited controversy with his dark, explicit sexual humor.
'I have to keep doing things that scare me, and this certainly scares me,' says M. Night Shyamalan.
'In case you're wondering,' says director Paul Abascal, 'in this movie, the paparazzi are very sleazy guys.'"
Where other lesbian-themed films might ride the sweat-stained cliché for all it's worth, Cholodenko instead shows restraint.
Made in 1929, Un Chien Andalou is based on the exchange of 'dreams' between two young Spanish artists.