Sunday, November 28 2004
The DVD serves as confirmation that, yes, Norah is Norah, and effectively drives home everything that has now become part of the 'Norah Package'. Quiet, withdrawn demeanor? Check. Slow, peaceful tunes? Check. Total control over a positively velvet voice? Check.
Wednesday, November 24 2004
If Alex is the dad, Louie is the drunk uncle who visits without calling first.
The material shows how much the SCTV crew did not engage in either obvious parody or simple knee-jerk laughs.
Arrested Development is Bad Behavior writ large, and it is the most consistently funny half-hour to grace the Idiot Box in a long time.
A film that sheds light on discrimination and energetically calls for a re-evaluation of U.S. priorities.
Roadgames is ultimately a clever Hitchcockian soufflé that 'is full of air, but rises nicely.'"
The Hammer remains confused and conflicted, almost apologetic for who he is.
Tuesday, November 23 2004
Fans looking for footage of his incendiary R&B will need to look elsewhere. However, Live in Concert is a pleasant trip to the crisp, seasoned concerts Charles gave in the latter part of his life.
Monday, November 15 2004
I Ain't Dead Yet doesn't pretend to be definitive; nonetheless, it is an insubstantial program about a substantial figure.
'There are tears for things, there are tears of things, there are tears from things,' says Guy Maddin.
The audio commentary featuring Reese Witherspoon and Robert Luketic demonstrates the leading lady to be much more thoughtful and subdued than her typical roles might suggest.
For all the inevitability of Will's descent, I'll Sleep When I'm Dead is an almost perversely moving experience.
Howard Hughes: The Real Aviator focuses on the man's contributions to and obsessions with aviation.
If Garfield's non-animated creatures lack distinction (what you might call 'edge'), it should be remembered that it is intended for small children.
Speaking of her star, Renée Zellweger, Maguire is appropriately besotted: 'You can see what she brought to Bridget. She's got this fantastic warmth and this permanent confusion on her face.'"
Monday, November 8 2004
In the season overview, Joss Whedon asserts that he wanted this season to be 'operatic'. It was that.
Director Frank Oz asserts, 'There is no such a thing as Stepford. Stepford is in the mind.'"
We come to see the film itself is the formula, making impossible Buddy Loves of us all.
Mulholland Falls resembles an episode of Law & Order with funny hats.