Wednesday, September 15 2004
The Roughnecks characters are caught between blandness and a semi-cartoon stylization.
A carnival of clichés, the film offers a bleak Pacific Northwest location, where it pours atmospheric buckets of foreboding.
Tony Scott enthuses, 'I had such a brilliant smorgasbord of really odd, strange personalities and different looks.'"
For a genre of music that was borne out of hardship, and featured some of music history's most powerful and poignant material, its striking how tame The Blues is.
This passionate intellectual journey through the first two centuries of Christianity is the perfect antidote to The Passion of the Christ.
The film is now out on DVD, a bare-bones release ideal for dissection, isolating the best and worst of Murphy.
Mario Van Peebles came up understanding the power of images as a means to incite and reveal revolution.
Wednesday, September 8 2004
What emerges here is a painfully generic potboiler briefly masquerading as softcore porn.
Leland meets a teacher who's been tending to young hard cases for too long.
'I wasn't thinking about making a film,' says one documentary filmmaker. 'I just happened to be there and it was history in the making.'"
If the film may not reveal all the tenets of the religion's philosophy, it provides a sensory experience of Buddhist principle and wisdom.
Resident Evil opens at a moment that might be best described as mid-psychosis, that is, the titular evil is overtaking the 'residence'.
Pious, earnest, and broadly drawn, Marva is the first black character in a Coen brothers movie to occupy center stage.
Affleck and Smith talk lots about shooting details and feelings about their chosen fields, their mutual esteem and affection audible.
Monday, September 6 2004
Monday, August 30 2004
'I'd been wanting to make a film noir in San Francisco for many years,' says Philip Kaufman, 'And the closest I'd come was Invasion of the Body Snatchers.'"
All the gravitas in the world, however, can't overcome the fact that 'fan' is short for 'fanatic', and a central question posed by Trekkies 2 is 'How much is too much?'"
The sympathetic viewers are hard to watch, as Mary and Mary Magdalene repeatedly collapse against one another, trembling.
It's tempting to read this mental-institution drama as some kind of political allegory.
What is consistent from episode to episode (besides the characters) is a multi-faceted investigation of the relationship between humans and machines.