Tuesday, October 7 2003
My intention was to make a picture that on one level was a genre movie, summer movie, kind of a cop movie, whatever that genre is, and at the same time, to serve different gods.
He's mixing drinks in his bachelor pad, equipped with, as director Peyton Reed calls it, a 'really bitchin' television set.'"
With such conspicuous racial politics, it's no wonder that Cajayon's 'little film that could' consciously shoulders the responsibility of representing Filipino-ness.
Ken Hughes' portrait of Cromwell allows him to recast the military, particularly its leaders, as betrayed by politicians of all stripes.
Addresses the danger inherent in the military hierarchy and social isolation.
Tuesday, September 30 2003
'It's the juxtaposition, like Sergio Leone would do that really well.'"
This is the film's genius, its simultaneous emulation and excavation of true crime's obsession with dull or spectacular minutiae, coupled with a refusal to make such details cohere into master plans and meanings.
'There are so many things that typify growing up in Southern California in the late '70s and early '80s. Miniature golf.'"
Indian and British, white and brown and black, queer and straight. It's all in the mix.
Monday, September 29 2003
No rounded biceps. No Venetian Blind-like abs. Such equipment might be vital to the trade these days, but those trappings are refreshingly absent in this raw and riveting look back to the Nashville music scene, circa 1975.
Monday, September 22 2003
Simon Templar embroils himself in international intrigue because, well, there just isn't much else to do in Monte Carlo than help beautiful women out of jams.
Hearing the late Henson perform as Kermit again, so warm and enthusiastic, yet so perilously close to flippering out, is a joy unto itself.
A show that asks us to 'assume nothing' very often lets the perps go free when the evidence doesn't prove substantial enough to secure arrests.
Wings of Desire is the most optimistic of films, finding freedom and potential in the quotidian privileges most of us take for granted.
Versus and Ichi the Killer challenge the concept of righteous motivation, offering protagonists so morally ambiguous that it's difficult to distinguish who is 'good' and who is 'evil'.
'I don't want to end up in there,' is a repeated mantra.
John Malkovich and Javier Bardem shed welcome light on their thinking about this sophisticated meditation on terrorism, trust, and desire.
Sunday, September 21 2003
Monday, September 15 2003
Draws parallels between Bobby and Charles Whitman, though there's a much larger issue at stake: the availability of guns, at the root of the rise of violence in America.