Reviews > DVDs
‘Hercules’ Lives in the Netherworld of Good Enough

Hercules is a Disney animated film that shows the studio riding the wave of its '90's renaissance, but not reaching the heights of earlier classics.

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‘Bedknobs and Broomsticks’ Is a Restored Classic Ready to Be Rediscovered

This film is entertaining and fun, while maintaining an emotional component throughout, making it a classic Disney film rightfully getting its due in this restored master.

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Love Is Fetishistic in ‘The Face of Love’

The Face of Love is a case of a compelling story that ended up in the wrong movie.

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‘Mickey, Donald, Goofy: The Three Musketeers’ Is a Flat Reimagining

Mickey, Donald, Goofy: The Three Musketeers tries to do too much, and in its efforts to be action-packed, funny, contemporary, and still tell a classic story, it becomes muddled.

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‘Low Winter Sun: The Complete Series’: Maybe It Needs to Burn

Low Winter Sun tries to stand out as a refreshing take on the cop drama formula, but it's far too preoccupied with the shows that it knows audiences will compare it to.

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‘Amen’ Is What Political Cinema Is All About

Troublesome though the implications of Amen are, it is nonetheless a fine example of Costa-Gavras at his most incendiary.

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Many Faces of Lady Whirlwind: ‘The Angela Mao Ying Collection’

Angela Mao is wholesome and badass, a personality that, when brought to her fight scenes, immediately marks her as a star—although the scripts she was given don't often give her the chance to maximize that stardom.

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‘Need for Speed’ Is About the Thrill of the Ride, Not the Script

Besides just lavishing attention on the cars, director Scott Waugh loves placing them in the context of other, classic driving movies, from Bullitt to American Graffiti.

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The Golden Woods of ‘Without Warning’ Can’t Kick the Camp

"It was a sci-fi and we could ham it up, so we did—and it was great,” Tarah Nutter says about Without Warning. "Ham it up" fits the film but "great", not so much.

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Killer Choreography Consumes the ‘Ong Bak Trilogy’

Tony Jaa still has a long way to go before he becomes a household name, but as this box set proves, he's well on his way—and may just be able to afford an acting lesson or two as well.

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‘Elaine Stritch: Shoot Me’ Invites the Viewer to Drink Up a Vibrant Life

Watching Elaine Stritch: Shoot Me, the primary impression left is that Stritch had many more stories to tell.

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Joyous Cadre of Cinematic Excrement: ‘Mystery Science Theater 3000: XXX’

There are good MST3K box sets, and then there are great MST3K box sets. The difference? All the Jack Palance jokes you could ever hope for.

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‘Slander’ Airs Out the Dirty Laundry of the Genteel ‘50’s

Slander hasn't dated much at all; it still engages the viewer with something harsh and sordid under its veneer of '50s gentility.

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Have Our ‘Hearts and Minds’ Really Changed?

There are lessons aplenty about Vietnam in Hearts and Minds—it's a shame we still haven’t learned them.

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In ‘The Big Chill’, Cynicism is the Illusion

Never heavy-handed in its response to Reagan's "Morning in America", The Big Chill shows loss, defeat and grief while still being funny.

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‘Maidentrip’ Is a Journey Across the Sea and Into Adulthood

Laura Dekker was born to be a sailor, a fact she proves in her successful solo sail around the world in Maidentrip.

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Tatiana Maslany Continues to Astound in ‘Orphan Black: Season Two’

The second season of BBC America’s Orphan Black continues its breakneck pace of twists and turns, all the while showcasing the best performance on television.

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Disney and Spike Lee Unite in ‘The Spike Lee Joint Collection’

Even with some dips in quality, these four movies represent part of a remarkable run; you can feel all of them strive for masterpiece status.

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‘Scanners’ Still Has the Power to Blow Your Mind

Three decades later, Scanners is still a head-popping good time.

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The Editor as Auteur in ‘A Fever in the Blood’ and ‘Wall of Noise’

Despite their flaws, A Fever in the Blood and Wall of Noise reveal the crucial role of the film editor.

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'Staircase' Is Gay in a Melancholy Way

// Short Ends and Leader

"Unfairly cast aside as tasteless during its time for its depiction of homosexuality, Staircase is a serious film in need of a second critical appraisal.

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