Friday, June 10 2005
It is the footage of Klaus Nomi that best demonstrates the immense talent and heart that lie beneath what could have been nothing more than nightclub kitsch.
Thursday, June 9 2005
Trevor is an image disappearing, more about reduction and loss than self-knowledge and identification.
Tuesday, June 7 2005
More than anything else, Richard Pryor was a confessional artist whose monologues derived from his own chaotic and frequently self-destructive life, Brother Richard testifying from the lip of the abyss.
Friday, June 3 2005
The very process of documenting freestyle is at once contradictory and ambitious, futile and crucial.
Thursday, June 2 2005
The movie toggles over into autopilot, following the flight path established years ago by John Carpenter and Tobe Hooper.
Tuesday, May 31 2005
'Truffaut had the dread of everything conventional. Above all, he detested the conventionality of the nonconventional,' Jean Gruault notes.
Friday, May 27 2005
Synthesizer pioneer/nice guy Bob Moog deserves a thorough, artistically bold biopic. Director Hans Fjellestad isn't up to the challenge.
Thursday, May 26 2005
The filming oscillates uneasily between Masterpiece Theater lushness and National Geographic-style ethno-voyeurism.
Christopher Reeve's film seems geared less towards portraying the warts and all existence of a disabled person, than showing what can be achieved with a little selfless dedication.
Tuesday, May 24 2005
Henry's instructions bring Turner and Jason to important landmarks that dredge up memories and force them to face events that have haunted their lives.
Monday, May 23 2005
In Cullen's rise to the top, he summarily steps on everyone who tries to help him or slow him down.
As Koji and Junco drift apart, not only is their dialogue minimal, but they also appear repeatedly framed by windows and doorways.
Friday, May 20 2005
For a world-famous band, respected and requested by everyone from Beck to Justin Timberlake, the Flaming Lips are a group of humble, down-to-earth guys.
Mahamat-Saleh Haroun's second film is lilting and profound at once, precise and sinuous, pulsing with brilliant, sometimes breathtaking color and dense emotional detail, even as it tells a tale of loss and longing.
Thursday, May 19 2005
Pacino contains Shylock's temper as reaction, looking simultaneously vile and vulnerable, hardly a simple balance.
Wednesday, May 18 2005
Not only is the character difficult by heroic biopic standards, but his story combines radical thinking, extraordinary generosity, and supreme egotism.
Monday, May 16 2005
Parker and Stone plainly love the size of this outrageous project, but they also understand and show off how silly that love is.
'That's what the movie's sort of about,' observes Wes Anderson, 'self-invention, and making their own art, and all those things.'"
Pete Rose so badly wants people to think he's a good guy that he presents Rose the legend, never Rose the man.
Friday, May 13 2005
Instead of building to a final showdown, the movie seems one continuous climax that is completely exhausting.