Thursday, April 14 2005
Based on three Snicket books, the film mostly takes the kids' perspective, and so delights in the gooey and the ooky.
Ambitiously humanitarian, the film uses Paul's plot to allude to the broader tragedy.
Pedro Almodóvar's commentary is as seductive as his filmmaking.
Thursday, April 7 2005
Coccio's movie looks both chillingly insightful and despairingly naïve.
Whispering Corridors' ghost story comments on the harsh South Korean education system.
Twentieth Century reveals the self-consciousness of theater, its falseness and its glory.
Amid the road-tripping and the boy bonding, it is Maya who resonates at last.
Téa Leoni sees the script as an example of Brooks' ability to 'pierce human truth and make it ooze for you'.
Even as she might look toward a future, however, Elektra is all about the past.
The film argues that today, corporations are the planet's dominant institution, such that their welfare, as individuals, takes precedence over all else.
This leads to titillation, judgment, desire, and commerce all around. How Howard Stern.
Monday, April 4 2005
On the DVD, the actors gamely compete with self- mocking descriptions of themselves and each other.
Thursday, March 31 2005
The documentary reveals the profound relationship between the play and the cause.
Reds, blues, and purples slide along director Ji-woon Kim's canvas and it's impossible to look away, even when it's scary.
Over five hours, such ostensible fealty to the sprawling rhythms of daily life makes for a rigorous and occasionally maddening viewing experience.
Eroica presents a picture of a bifurcated country, ostensibly cowed, but still seething with recrimination and indignation.
In 2002, Seka is a nice sharp pin ready to pop the balloon of ballyhoo surrounding her mythology.
Visceral and at times brutal, it's a livid illustration of the effects of monotony and oppression on the spirit.
One of the most attractive aspects of Kiyoshi Kurosawa's style is his implicit trust in his audience's intelligence.
With the occasional exception of Shaquille O'Neal, the players here act like athletes, which is to say, badly.