Monday, November 15 2004
'There are tears for things, there are tears of things, there are tears from things,' says Guy Maddin.
The audio commentary featuring Reese Witherspoon and Robert Luketic demonstrates the leading lady to be much more thoughtful and subdued than her typical roles might suggest.
For all the inevitability of Will's descent, I'll Sleep When I'm Dead is an almost perversely moving experience.
Howard Hughes: The Real Aviator focuses on the man's contributions to and obsessions with aviation.
If Garfield's non-animated creatures lack distinction (what you might call 'edge'), it should be remembered that it is intended for small children.
Speaking of her star, Renée Zellweger, Maguire is appropriately besotted: 'You can see what she brought to Bridget. She's got this fantastic warmth and this permanent confusion on her face.'"
Monday, November 8 2004
Director Frank Oz asserts, 'There is no such a thing as Stepford. Stepford is in the mind.'"
We come to see the film itself is the formula, making impossible Buddy Loves of us all.
Mulholland Falls resembles an episode of Law & Order with funny hats.
'I mean, this guy,' says Master P. 'He used to jump over cars.'"
Like his characters, Robert Aldrich went for broke, taking his audiences on a thrill ride that could be thoughtful and hair-raising at the same time.
Dude, it's Eric Roberts. And he's the better of the two actors. It ain't happening.
The Barbershop movies focus their energies on familial feelings and communal inclinations, and Cedric's wily jokes.
Monday, November 1 2004
Kevin Bray sees his Walking Tall as a series of fight sequences, a simplification that leaves it open to interpretation as a barometer of our political climate.
Under these conditions, the film suggests, another Florida is not only likely, but probable.
It's a story of a (nearly lone) lawman standing up against the bad guys, replete with a High Noon type showdown.
Bowling for Columbine's most effective device is Moore's own lack of answers; he sets up argument after argument, only to see each one crumble in the face of evidence and reality.
Plays like the last two minutes of all the worst episodes of Frasier stitched together.
'Actually,' Frank Coraci begins his commentary for Around the World in 80 Days, 'I never wanted to do a director's commentary.'"
Wednesday, October 27 2004
Perhaps David's decision is heroic, given the circumstances, but the accumulated images of his passivity remind the viewer that better choices.