Monday, January 17 2005
The camera is as restless and as relentless as its object, Phoolan Devi.
Things are never as simple as administrations would like us (and themselves) to believe.
Monday, January 10 2005
'I have to keep doing things that scare me, and this certainly scares me,' says M. Night Shyamalan.
'In case you're wondering,' says director Paul Abascal, 'in this movie, the paparazzi are very sleazy guys.'"
Where other lesbian-themed films might ride the sweat-stained cliché for all it's worth, Cholodenko instead shows restraint.
Made in 1929, Un Chien Andalou is based on the exchange of 'dreams' between two young Spanish artists.
Will Ferrell's comedy is escapism as abstract art, a breathless retreat into the frenetic headspace of a 12-year-old boy.
Monday, January 3 2005
'The most rewarding thing about working with David,' says cinematographer Frederick Elmes, 'is helping him see the vision through.'"
When Simon enters the picture, it doesn't take much (a few batted eyelashes and Audrey Hepburn in a nightie) for him to overlook her father's crimes.
Tuesday, December 28 2004
The desolate comedy made by this group of not-strictly professionals is extraordinary, in large part because, as Kári says, it asks viewers to 'use their own imaginations'.
This is the type of movie you can imagine history teachers embracing, on account of the facile and accessible way it tackles the subject matter.
Natalie Portman brings to this sad, strange, vibrant girl her own remarkable, brilliant energy.
I'd love to know what Orwell thought of this re-appropriation, if he felt the themes and intent were bastardized, if the CIA thing got his blood hot.
Wednesday, December 22 2004
Reasoning that 'a white man can get away with anything today,' Stander sets out to distract the police as well as show up their prejudice.
Demme's movie reasserts that the fabled U.S. political landscape isn't transparent or democratic, but instead, corrupted by the individuals who manage it.
'The idea of these young boys being taken away from home at a young age... reminded me a lot of my own culture,' says director Antoine Fuqua.
It is slightly odd to see Robert DeNiro so young and handsome, giving a performance so deftly naturalistic.
As our own physical reality becomes more entwined with virtual ones, Ghost in the Shell couldn't be more apt.
This searing documentary argues against the use of near-slave-level migrant labor, implying that the United States' economy would collapse without it. In making this case, the film indicts a first world population that doesn't want to do its own dirty work.
Amid all the overreaching, expensive, mostly tacky ambition of the summer's movies, it's good to see a B-movie that knows what it is.