Call for Essays About Any Aspect of Popular Culture, Present or Past

Reviews > Film DVD

Thursday, February 17 2005

Dottie Gets Spanked (1993)

Dottie Gets Spanked contextualizes and foretells the artfully designed surfaces and off-kilter universes of Haynes' later successes.


Monday, February 7 2005

Voyage in Time (1983)

Voyage in Time, a one-hour television film, snatches a fragment of Tarkovsky's working life.


Time of the Wolf (Le Temps du loup) (2002)

In Michael Haneke's version of the end of the world, things are different.


A New Kind of Love (1963)

The film offers up a timeless double standard: a man who has many sexual partners is considered masculine, but a woman with multiple partners is a slut.


Neil Gaiman’s A Short Film About John Bolton (2003)

The affection Neil Gaiman shows for Marcus indicates that he doesn't hate critics, just what we represent: an ethos of inept misinterpretation aimed at elevating the academic over the visceral.


How to Draw a Bunny (2004) - PopMatters Film Review )

We feel a dogged incompletion, as if Ray Johnson's career was a massive joke awaiting one final punch line.


The Harvest (1993)

David Marconi's screenplay is redeemed by its interest in messing with our minds rather than trotting out the requisite local color and visual shortcuts.


Bunny Lake Is Missing (1965)

The film's primary appeal is the bizarre turn by Noel Coward as Wilson (one of several 'eccentrics' the film trots out to otherize London even as it pathologizes at least one of the yanks).


Wednesday, February 2 2005

Silver City (2004)

Dickie Pilager embodies U.S. political-corporate mythology, the 'shining city on a hill' reduced to basic elements.


Shall We Dance? (2004)

'The fact is,' says director Peter Chelsom, 'I was very, very wary about remaking such a perfect original.'"


Pauly Shore is Dead (2003)

Decked out in his vintage gear, Rico Suave has been reduced to selling oranges with his young son on the side of a California highway.


Metallica: Some Kind of Monster (2004)

'This was a lot of joy,' says Bruce Sinofsky, 'To be in a studio with musicians and people you respect, and watch the creative process, but also to watch these people break themselves down to their essence and start rebuilding themselves was an inspiration.'"


The Intended (2002)

Its handheld verité style pulls viewers uncomfortably close to this band of humans struggling to survive their surroundings, as well as each other.


Fall Guy (Kamata Koshin-Kyoku) (1982)

Kinji Fukasaku's striking compositions remind us that the world of filmmaking is draped in a charade, an expertly plotted manipulation.


Wednesday, January 26 2005

Wetherby (1985)

Crippled by their past and unable to function in the present, these characters represent what David Hare calls 'the part-emotional landscape that is England.'"


Sky Captain and the World of Tomorrow (2004)

Kevin Conran seems pleased to admit that he has never stepped foot inside Radio City Music Hall.


Resident Evil: Apocalypse - Special Edition (2004)

Paul W.S. Anderson says, 'For me, there is in modern times, a definite fear of loss of identity. And that's what the undead represent. They are the mass, there's no differentiation between them.'"


Predator 2: Special Edition (1990)

According to director Stephen Hopkins, 'Los Angeles, with all its glare and dust, felt like a Western town to us, sort of a mining town that had been shoved up really quickly.'"


Mean Creek (2003)

'This shot here... is like a window opening up onto this kid's world,' says Jacob Aaron Estes.


Now on PopMatters
Announcements
PM Picks

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.