Reviews > Film DVD
‘The Railway Man’ Goes Off the Rails With Sentimentality

The movie wastes its impressive cast, choosing instead to drown itself in sentimentalism.

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Kristen Wiig Sinks ‘Hateship Loveship’

Infusing Alice Munro's portrait of a lonely woman and her quest for happiness with deadpan comic beats, Kristen Wiig muddies the tone of "Hateship Loveship" and leaves it without a center.

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‘Dream Deceivers: Heavy Metal on Trial’ Examines Culpability and Belief

Metal fans will remember this story in the lore of censorship and a dark moment in the history of Judas Priest. But this film is not about the band and is all the better for it.

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‘The Legend of Hell House’ Is Cerebral Horror at Its Finest

Possibly the greatest haunted house film of all time is still as impactful as ever, a fact not reflected by this Blu-ray's paltry extras.

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Disney’s ‘Tarzan’ Is a Visual Thrill Ride

Disney’s Tarzan is more than the last film in the “Disney Renaissance”; it’s also the best Tarzan film ever made.

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‘Transcendence’ Is a High-Tech Mess of Subplots

Like Dr. Caster's (Johnny Depp) experiments, Transcendence is much smarter in theory than it is in practice.

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‘Ginger Snaps’ Is Freshly Female-Centric Horror

Watching the movie now, it seems to anticipate its own cult.

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A Small Sampling of Disney: ‘The Adventures of Ichabod and Mr. Toad’ and ‘Fun and Fancy Free’

For the most part, the shorts are some of Disney's strongest, and taken as a whole they offer a variety of animation styles, characters and tones.

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‘Hercules’ Lives in the Netherworld of Good Enough

Hercules is a Disney animated film that shows the studio riding the wave of its '90's renaissance, but not reaching the heights of earlier classics.

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‘Bedknobs and Broomsticks’ Is a Restored Classic Ready to Be Rediscovered

This film is entertaining and fun, while maintaining an emotional component throughout, making it a classic Disney film rightfully getting its due in this restored master.

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Love Is Fetishistic in ‘The Face of Love’

The Face of Love is a case of a compelling story that ended up in the wrong movie.

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‘Mickey, Donald, Goofy: The Three Musketeers’ Is a Flat Reimagining

Mickey, Donald, Goofy: The Three Musketeers tries to do too much, and in its efforts to be action-packed, funny, contemporary, and still tell a classic story, it becomes muddled.

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‘Amen’ Is What Political Cinema Is All About

Troublesome though the implications of Amen are, it is nonetheless a fine example of Costa-Gavras at his most incendiary.

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Many Faces of Lady Whirlwind: ‘The Angela Mao Ying Collection’

Angela Mao is wholesome and badass, a personality that, when brought to her fight scenes, immediately marks her as a star—although the scripts she was given don't often give her the chance to maximize that stardom.

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‘Need for Speed’ Is About the Thrill of the Ride, Not the Script

Besides just lavishing attention on the cars, director Scott Waugh loves placing them in the context of other, classic driving movies, from Bullitt to American Graffiti.

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The Golden Woods of ‘Without Warning’ Can’t Kick the Camp

"It was a sci-fi and we could ham it up, so we did—and it was great,” Tarah Nutter says about Without Warning. "Ham it up" fits the film but "great", not so much.

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Killer Choreography Consumes the ‘Ong Bak Trilogy’

Tony Jaa still has a long way to go before he becomes a household name, but as this box set proves, he's well on his way—and may just be able to afford an acting lesson or two as well.

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‘Elaine Stritch: Shoot Me’ Invites the Viewer to Drink Up a Vibrant Life

Watching Elaine Stritch: Shoot Me, the primary impression left is that Stritch had many more stories to tell.

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‘Slander’ Airs Out the Dirty Laundry of the Genteel ‘50’s

Slander hasn't dated much at all; it still engages the viewer with something harsh and sordid under its veneer of '50s gentility.

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Have Our ‘Hearts and Minds’ Really Changed?

There are lessons aplenty about Vietnam in Hearts and Minds—it's a shame we still haven’t learned them.

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//Mixed media

Con Brio: The Best New Live Band in America?

// Notes from the Road

"There’s a preciousness to McCarter and the rest of the mostly young band. You want to freeze the moment, to make sure they are taking it all in too. Because it’s going to change.

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