Reviews > Film
Is ‘Gemma Bovery’ Serious, Slapstick, Tragic, Romantic or Twee?

Unsure of the right tone to take, and weighed down by a dispiriting bunch of characters, Gemma Bovery is, unfortunately, the sum of all its parts

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‘King of the Gypsies’ Should Become a Cult Classic

Eric Robert's big screen debut provides a beautifully shot and scored dramatic take on gypsy life in America.

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Tom Cruise Teaches the Genre What Action Is All About With ‘Mission Impossible - Rogue Nation’

This is the best thriller of the year not named Mad Max: Fury Road.

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The Media Circus Begins in ‘Best of Enemies’

This gripping documentary about the invective-slinging 1968 William F. Buckley-Gore Vidal debates isn’t a celebration of intellectual combat, it’s an original-sin tale for where TV news went wrong.

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‘Tangerines’ Is a Passionate Plea for Diplomacy and Coexistence

Tangerines highlights the various reasons why people fight, and then shows why these reasons are inadequate.

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‘Listen to Me Marlon’ Makes It Clear That for Marlon Brando, Acting Was Surviving

Marlon Brando's face offers various sorts of "stages", as he puts it, acting as a character or asserting a truth, showing that he is cocky or wounded or fearful.

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‘Five Easy Pieces’ Must Be Appreciated on Its Own Cantankerous Terms

As the hippie hangover from the ‘60s begins in earnest, Jack Nicholson's Bobby Dupea has neither tuned in nor entirely dropped out.

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Audiences Will Have No Fun on This ‘Vacation’

Instead of finding a way to channel the original film's clever cluelessness, this new take on the material is all gross-out gags from two decades ago.

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Sex, Lies, and Uprising in ‘A Gay Girl in Damascus: The Amina Profile’

This film raises questions about truth and fiction in documentary, and questions regarding other sorts of storytelling, in news, social media, and political movements.

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There’s No Resting in Peace in Roger Corman’s ‘Premature Burial’

So burdened is Ray Milland by the trappings of horror convention that you marvel he doesn’t smother on the spot, even though he is safely above ground.

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‘The Killers’ DVD Is a Double Whammy

Criterion brings two film versions, one a classic and one a misfire, of Ernest Hemingway's short story, "The Killers".

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What Zone Were the Writers of ‘Zone Troopers’ In?

This banal imitation of WWII B-movies is a perplexing and tedious film that never fully commits to the genre blending that could have elevated it to B-movie standards.

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In ‘Tea Time’, 60 Years of Illusions and Pretense Are Pleasantly Lost

Filmed over six years, Maite Alberdi's lovely, profound documentary observes five former Catholic high school classmates' conversations.

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‘Ex Machina’ and the Moral and Intellectual Facets of AI Development

Ex Machina treats its audience with reverence and care, and as a result, it's a film that can be dissected and appreciated by both humans and sentient robots alike.

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The Political Allegory in ‘White God’ Has Quite the Bite

White God ferociously tells a universal story about the ties that bind us, and the forces that try to tear them apart.

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The Fight Scenes in ‘Southpaw’ Are Brutal and Beautiful

The fight scenes comprise a slamming mix of point of view shots, ringside images, and dazzling choreography showcases, as well as generally corny reaction shots.

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‘Pixels’ Can’t Survive It’s Hackneyed Script

Other elements of the movie almost work. The screenplay definitely doesn't.

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‘Timbuktu’ Sends a Powerful Message About Jihadism

Timbuktu isn’t just a film about jihadism. It’s a film about the vibrant cultures jihadism can eradicate if it continues to spread.

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Los Angeles Film Festival 2015

The Los Angeles Film Festival continues to lean in amongst a decidely crowded festival market.

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‘It Follows’ Has a Deep Dread on Its Mind

This movie is often creepy and unnerving, but it's not unbearably terrifying, if only because Mitchell's distinctive voice as a filmmaker is such a pleasure to behold.

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Moving Pixels Podcast: 'The Fall' Explores Artificial Intelligence and Identity

// Moving Pixels

"The Fall raises questions about the self and personal identity by considering how an artificial intelligence governs itself.

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