Reviews > Film
In ‘Far From the Madding Crowd’, Women Are Property

A woman fights to keep her freedom in Thomas Hardy’s love quadrangle, rendered visually by director Thomas Vinterberg in a poised, crisp, and actor-centric film.

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More Definitely Means More in Joss Whedon’s ‘Avengers: Age of Ultron’

Joss Whedon and his heroes and villains epic offers more this time around -- more characters, more plot points, more action -- and a few reasons for concern.

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Paul Thomas Anderson Douses Film Noir With Bong Smoke in ‘Inherent Vice’

Throughout cinema history, there have been countless films made about detectives and stoners, but nothing has ever been quite like Inherent Vice.

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‘Lord of the Flies’ Is an Inferior Take on William Golding’s Classic Novel

The 1963 film Lord of the Flies is a transcendent experience in accurate filmmaking. The 1990 film Lord of the Flies is only a movie.

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‘The Boy Next Door’ Is Wrong, but It Feels So Good

Like a musical, The Boy Next Door often asks us to suspend our disbelief and take a ridiculous ride to an absurd place -- in this case, a place where first editions of The Iliad actually exist.

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The Potentially Great ‘Mommy’ Is Only Occasionally Good

Mommy has its memorable moments, but it's ultimately not worth the effort to watch obnoxious characters shout at each other for over two hours.

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Harrison Ford Reminds You Why You Like Movies in ‘The Age of Adaline’

Harrison Ford's performance in this film about a woman who doesn't age foregrounds the consideration of time and desire, how each shapes the other, and how both affect imaginative horizons.

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By Confusing Religion With Reality, ‘Little Boy’ Fails Its Faith-Based Foundation

Because it is unsure whether it wants to push the Bible or a little boy's wavering faith, Little Boy ends up giving us neither.

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Russell Crowe’s War Drama ‘The Water Diviner’ Is Awards Season Sap

Instead of a potent post-war drama, first time director Russell Crowe gives us a jumbled, often incoherent attempt at an epic.

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‘Cries and Whispers’ Is a Life-Affirming Film About Death

To call Ingmar Bergman's red-drenched masterpiece Cries and Whispers essential to any collection would be a serious understatement.

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‘Helicopter Mom’ Depicts an Overbearing Mom With Overbearing Stereotypes

Any potentially forward-thinking ideas Helicopter Mom has are drowned out in the labels the film puts on itself.

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Tribeca Film Festival: Harold Lloyd’s ‘Speedy’ With Live Soundtrack by Z-Trip

Criterion's new restoration of Harold Lloyd's Speedy was screened with a live score accompaniment from turntablist Z-Trip at this year's Tribeca Film Festival.

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‘Cult of the Damned’ Leaps Directly Into the “Camp” Camp

This cult obscurity remains bright and bewildering, chock full of silly dialogue and dangerous, ungrateful youths.

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Summer Camp Slashers and Greek Myths in ‘The Roommates’ and ‘A Woman for All Men’

A former Perry Mason director takes on the exploitation format in this pristine Blu-ray reissue and double feature.

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‘The Wild Angels’ Lays Out the Rules of the Biker Film

Roger Corman's 1966 film is the storytelling legacy that works of cinema and television such as Sons of Anarchy draw from.

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‘The Breakfast Club’ Gets Overpowered by Its Archetypes

The Breakfast Club is a solid effort, but one that spends too much times clubbing its viewers over the head with its message of, "We're more than just labels."

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A Vampire Falls in Love in Iran in ‘A Girl Walks Home Alone at Night’

A Girl Walks Home Alone at Night is the most exciting debut feature film of the decade thus far, showing a prodigious talent in director Ana Lily Amirpour.

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You Can Tell Where ‘True Story’ Is Going Five Minutes In

No matter how much the ruthless male leads of this film (Jonah Hill and James Franco) try to control the narrative, it's all too obvious where their lie-fueled story is going.

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‘Late Phases’ Is a Tame and Toothless Experience

This tale of werewolves run amok in a retirement community could do with more guts -- in every sense.

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‘Unfriended’, Social Media, and the Horror of Sharing Too Much

Unfriended raises a few good questions concerning how social media works, how it is used, and also how it shapes experience.

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