Reviews > Film
Filming the Blank Spaces of Existence in ‘Nestor

Nestor, meticulously photographed, invites us to dwell in the wide stretches of blank time we inhabit and ignore.

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Star Wars ‘Rogue One’: The Force Is Weak With This One

Director Gareth Edwards’ disappointing sci-fi actioner has little merit beyond its famous pedigree.

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‘Rogue One: A Star Wars Story’ Shows There’s Life in Star Wars Yet… Barely

If nothing else, Gareth Edwards’ combative, hard-working installment answers why the Death Star was so easy to destroy in the first place.

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Shirley Clarke’s Films Collected and Restored

Every short film, documentary and home movie here tells you something about this indefatigable dynamo and largely overlooked artist.

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Bryan Cranston Struggles With Vulgar Sensibilities in ‘Why Him?’

Director John Hamburg’s holiday comedy is stuck between bawdy farce and syrupy feel-gooder.

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The Surprisingly Entertaining, Eccentric ‘Florence Foster Jenkins’

Screeching her way to another successful performance, Meryl Streep makes Florence Foster Jenkins much more than the traditional historic biopic.

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‘Nocturnal Animals’ Is a Riveting Cinematic Mess

Though Tom Ford's follow-up to A Single Man derails at the end, getting there proves to be a thoroughly exhilarating experience.

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They Don’t Make ‘em Like ‘La La Land’, Anymore

Peppy, smart, and almost intolerably romantic, this is the finest movie musical since John Carney's Once.

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In ‘Abattoir’, There’s No Place Like Home, Thankfully

Abattoir warns us of the mad terrors that lie at the borders of human company, that lurk on the verge of wilderness.

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At Long Last ‘Luna’, or, a Boy’s Worst Friend Is His Mother

Long missing in action, Bertolucci's alleged "incest" movie is gloriously restored.

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Rage Plus Time Equals Prophecy: ‘I Am Not Your Negro’

James Baldwin’s requiem for three Civil Rights martyrs is also a letter addressed to future America and its “vast, unthinking, cruel white majority.”

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How Britain Won the War: Two Propaganda Classics on Blu-ray

Leslie Howard's Pimpernel Smith and Michael Powell / Emeric Pressburger's One of Our Aircraft Is Missing take opposite approaches to credibility

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Best Foreign Language Film Nominee ‘Sand Storm’ Swirls Around a Contentious International Debate

First time director Elite Zexer explores the tensions among what Bedouin women want, what they think they should be, and what restrictions they face.

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‘Miss Sloane’ Presents DC Corruption Lite

Lobbyists can only win or lose, no in-betweens, no moral victories.

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Pete Townshend Expands His Musical Explorations for All the World to See

Any time Townshend dances, which happens frequently and enthusiastically here, the preposterousness comes out.

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‘Loving’, An Urgent Work of Compelling Quietude

Loving is particularly resonant at a time when many in America may feel as if their own inherent rights are on shaky ground.

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‘Man Down’ Has the Dubious Distinction of Going Nowhere in Three Different Directions

Director Dito Montiel’s lack of subtlety cheapens a subject that calls for thoughtful examination.

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Minutia Fuels the Masterful ‘Boyhood’

Richard Linklater's bold cinematic experiment pays off in ways that the more brash family dramas fail to.

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The Painful Beauty in ‘Moonlight’

In his sophomore effort, writer-director Barry Jenkins' exacting calibration results in an experience that is deeply moving.

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Instead of a Black Comedy, ‘The Executioner’ Offers Varying Shades of Gray

Instead of hitting us in the gut with it themes, this Spanish gem plays a more subtle and satisfying game.

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Tibet House's 30th Anniversary Benefit Concert Celebrated Philip Glass' 80th

// Notes from the Road

"Philip Glass, the artistic director of the Tibet House benefits, celebrated his 80th birthday at this year's annual benefit with performances from Patti Smith, Iggy Pop, Brittany Howard, Sufjan Stevens and more.

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