Sunday, January 1 1995
If you've seen a movie based on a Terry McMillan novel, or gee, even a recent romantic comedy, you know exactly where 'Two Can Play That Game' is going.
As if a force unto themselves, beyond all legal, social, moral, or even political powers, drugs cross borders, produce wealth, cost lives. Drugs are a system, and they never stop moving.
In case you're still looking for an effective pro-gun control message, this is it, and from Mr. NRA President himself.
As Dex's juvenile philosophy alone amply demonstrates, where their dicks are involved, guys really aren't that smart.
Even the magnetic Ice T -- who has about three minutes on screen as a super-sneery mercenary and who has notoriously bad taste when it comes to picking scripts -- looks like he's made an unusually bad decision with '3000 Miles to Graceland'.
['Together''s peaceniks] have as little use for Marx as they have for Coke (although these vegetarians are not above eating the occasional hot dog).
Brooklyn-born Diamond (third Fugee Pras) is midway through cutting a record, which, the movie wants you to think, is off the proverbial hook.
The most important questions are framed as the contradictions facing the characters, not the rights and wrongs of any cause, thanks in part to the filmmaking team's attention to irony and nuance.
Tre Fratelli serves as a powerful reminder of the importance of cherishing every moment we have on this earth.
Sixteen years ago, a young filmmaker named Marti DiBergi set out to capture, in his words, 'the sights, the sounds, and the smells' of a workhorse British rock band named Spinal Tap.
Near the end of the film The Matrix, Neo (Keanu Reeves) begins to understand his own power. When he realizes that everything he is seeing is a computer program, the payoff shot for this knowledge shows the screen filled with the 1s and 0s which make up the objects and people previously seen. The shot is stunning, and lays bare not only the program within the film's narrative universe, but also the computer work necessary to create the effects in The Matrix.
The Scream series has always been about movies. But unlike most movies, the Scream movies have always been smarter than commentaries about it, and in particular, smarter than the commentaries about its commentaries on movies.
It's as though Silverman asked a group of 13-year-olds to describe a 'hippie' and then created the aging flower children based on their answers.
...it's boy-movie-making 101, a very traditional plot point indeed.