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Thursday, February 14 2002

Hart’s War (2002)

Predictably, Hart's war ends up being his education, his route to noble manhood.


Crossroads (2002)

Unlike the audiences at most movie previews, these folks at 'Crossroads' were amped.


Thursday, February 7 2002

Rollerball (2002)

PULL.


Collateral Damage (2002)

As Schwarzenegger described the whole shebang to the guys on 'Fox NFL Sunday', 'There's some serious butt-kicking going on.'"


Thursday, January 31 2002

Slackers (2002)

Some movies just don't need to be made. And some movies work extra hard to educe comments just like that one, making the extra effort to gross you out, to annoy, alarm, or titillate you.


Birthday Girl (2002)

. . . a mildly enjoyable film, offering some giggles and even a few shocking revelations.


Thursday, January 24 2002

A Walk to Remember (2002)

PULL.


Metropolis (2001) - PopMatters Film Review )

It's not so often that you see an anime as deliberately unsexy as Rintaro's 'Metropolis'.


The Mothman Prophecies (2002)

As John (Richard Gere) begins to question his own journalistic rigor and even his sanity, a number of inconsistencies in the stories of the mothman crop up.


The Count of Monte Cristo (2002)

It's exceedingly good to see Luis Guzmán looking so vibrantly out of place in Kevin Reynolds' 'The Count of Monte Cristo'.


Thursday, January 17 2002

Snow Dogs (2002)

In 'Snow Dogs', Cuba Gooding, Jr. is all giggles and slapstick. I lost count of the number of times he slipped on the ice or fell in the snow.


Wednesday, January 16 2002

The Man Who Sued God (2001)

PULL.


Thursday, January 10 2002

What Time Is It There? (2001)

'What Time Is It There?' presents what may be Tsai's most pronounced rendering of the impossibility of sexual intimacy and connection.


Orange County (2002)

More than anything else, 'Orange County' is mundane.


Charlotte Gray (2001)

The obvious reason for the glut of overly celebratory WWII films of the past few years is nostalgia for a time in American life when things like international politics and warfare were clear-cut.


Charlotte Gray (2001)

... challenges the national ideologies, nostalgia and idealization that have become so commonplace in popular cultural imaginings of the 'great war'.


Thursday, January 3 2002

Impostor (2001)

Based on a 1953 Philip K. Dick story, the film rehearses the usual Dickish concerns, namely, a male protagonist's loss of identity, confidence, and context in a dystopic SF future.


Monday, December 24 2001

Kate & Leopold (2001)

Never mind that Leopold is clueless when it comes to actual labor or the concept of class; as long as he's upper, he has no need to know anything more.


Ali (2001)

Ali embodies a kind of car-wreck charisma -- arrogant and self-conscious, beautiful and fierce, even on twenty-year-old tape, he can take your breath away. This ability to mesmerize makes Ali who he is, or more accurately, who everyone wants him to be. He's a cipher and a screen onto which viewers might project themselves.


Thursday, December 20 2001

The Majestic (2001)

PULL.


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