Sunday, January 1 1995
'Josie and the Pussycats' is 'so' witless that I cannot imagine it finding an audience even in a country that made 'Tomcats' (this has been a bad month for films with cats in the title) a top-five grosser.
Janger and co-writer Jennifer Vandever's screenplay ultimately compromises its sexual politics in order to make the film both gay- and straight-friendly. And yet, 'Just One Time' still has an underlying appeal due to its terrific ensemble cast and Janger's talent as a director, able to handle the film's occasional shifts in tone, between the more serious moments shared by Amy and Anthony, and the lighter touches of comedy, such as the guys' excursion to the gay bar.
With a final polish, 'The Journeyman' might be a feature debut as important as Robert Rodriguez's 'El Mariachi'. Kick ass.
As demonstrated by artists as different from one another as Eminem, Blink-182, and Andy Dick, there are many jokes to be made at the expense of the current crop of pop stars.
Joe Gould (Ian Holm) is what they used to call a 'character.' You see him early in Stanley Tucci's film, scuttling into a diner where New Yorker writer Joseph Mitchell (Tucci) is having coffee.
Are 'rednecks' funny? America seems to think so.
Digital dinosaurs in digital stereo.
The elegance of Maclean's film, however, lies i
In the movies, suburbia is usually plastic and colorful, familiar and pockmarked by Pier Ones, Burger Kings, and Walmarts, as well as American Beauty roses.
Here's the short version of this review: 'Jay and Silent Bob Strike Back' is a very funny movie.
The movie serves up the surface layer of gay style, with none of the substance.
A swoony, adult film of unexpected restraint, 'In the Mood for Love' shines with radiant color schemes and two devastating central performances, by Maggie Cheung ('Irma Vep') and Tony Leung ('Chungking Express', 'Happy Together').
Fighters in 'Iron Monkey' don't float or glide toward each other. They rocket, bounce and whip.
Wordless sex suddenly seems more appealing than the nasty arguments that repeatedly erupt. "
'I Am Sam' will not let these characters be: they must run the gamut of movie-of-the-week emotions... A to B.
'Innocence' offers a brave take on love, fidelity, and sexuality that often flies in the face of traditional, age-defined preconceptions of all.
Michael Mann's film The Insider is about blowing the lid of conspiracy off the tobacco industry. Although the film is ostensibly about one corporate produced addictive narcotic, that is nicotine, it is really about two, the other one being capital.
Where 'Italian for Beginners' differs from other Dogme 95 fare is that its end isn't totally catastrophic. This isn't to say it has a happy ending, just that it doesn't end with the usual emotional wasteland littered by human wreckage.