Thursday, May 2 2002
Stacy Peralta's propulsive [Dogtown and Z-Boys] is at once irreverent and reverential.
Thursday, April 25 2002
We Are Going to America offers a fragmented and personal interpretation of the immigrants' experiences.
World Traveler returns to the 'problem' of Cal's appearance, as several characters... remark on his beauty.
The Rock is a star, straight up.
Murderous Maids proffers all the pieces to the case and yet never reveals a pattern.
Most regrettably, Lanie's not a crazy chick at all.
As its title suggests, the pall of inevitability hangs over Les Destinées.
Jason X merely proceeds from one bloody splatter shot to the next.
'The Cat's Meow' insists, you can't go back to the good old days, because they were never so good as you think they were.
Thursday, April 18 2002
A surpassingly rich and urgent movie about the way we live now.
It's not as though 'The Survivors' takes its survivalists seriously.
Nine Queens' class analysis is acute, and narrowly focused on defining the characters.
'Murder by Numbers' isn't about solving the case; it's about solving Cassie (Sandra Bullock).
The Last Waltz still spirits a tingle up the spine.
Thursday, April 11 2002
The Sweetest Thing targets moviegoers who seek out the familiar and formulaic.
It's not every day that you see an older adult with mental disabilities as the star in an internationally distributed film.
When the children speak for themselves, 'Promises' is very powerful.
National Lampoon's Van Wilder [is] the latest version of Maxim, the Movie.
What makes the Maysles' work special lies in how they manage, by focusing so intently on their subjects, to elicit a body of information that the audience is compelled to examine for its possible meaning.
Moody, perverse, and full to busting with metaphorical cautions.