Reviews > Film

15 Jan 2004 // 1:00 AM

My Baby’s Daddy (2004)

The high concept of My Baby's Daddy has three men and three babies trading reaction shots.

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15 Jan 2004 // 1:00 AM

Along Came Polly (2004)

Though plainly Ben Stiller's vehicle, Along Came Polly features an endearing, oddly delicate performance by Jennifer Aniston.

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8 Jan 2004 // 1:00 AM

Paycheck (2003)

Michael (Ben Affleck) doesn't set out to control anything: he just wants to get paid.

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8 Jan 2004 // 1:00 AM

Power Trip (2003)

The real villain, as Power Trip portrays it, is the corrupt Georgian government, led at the time by Eduard Shevardnadze.

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8 Jan 2004 // 1:00 AM

Monster (2003)

Aileen is a terrifying specter, precisely because she's neither only a victim nor only monstrous. As Theron plays her, she swaggers and rationalizes, trusts and fumes.

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8 Jan 2004 // 1:00 AM

Girl with a Pearl Earring (2003)

Nothing drains the life from great art like a well-intentioned attempt to explain away its mysteries.

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Cheaper by the Dozen (2003)

The actors are left with little to do but hustle from scene to scene: pratfall, pathos, hug, repeat.

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8 Jan 2004 // 1:00 AM

Chasing Liberty (2004)

Chasing Liberty is another vehicle made to fit Mandy Moore's development as an artist.

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8 Jan 2004 // 1:00 AM

Big Fish (2003)

Edward is less obviously an outsider than Burton's other Edwards (Scissorhands and Wood), but equally filled with a winning sense of wonder.

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23 Dec 2003 // 1:00 AM

Cold Mountain (2003)

The first scene in Cold Mountain is sensational and sickening, an apt introduction to what will be a Civil War saga.

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18 Dec 2003 // 1:00 AM

Stuck on You (2003)

Draggy as its comedy can be, Stuck on You's humanity is always sprightly and engaging.

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18 Dec 2003 // 1:00 AM

Mona Lisa Smile (2003)

Katherine has her hands full, even aside from looking for romance (though this happens too, as this is, after all, a Julia Roberts movie).

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The Lord of the Rings: The Return of the King (2003)

No in-betweeners in this reductive view of the world: characters and choices are good or evil.

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House of Sand and Fog (2003)

Property is at the center of House of Sand and Fog.

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18 Dec 2003 // 1:00 AM

Calendar Girls (2003)

A roll call of Britain's prime acting talent renders this movie watchable but cannot lift it beyond the forgettable.

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11 Dec 2003 // 1:00 AM

21 Grams (2003)

In 21 Grams, the fragmentation is pronounced, chaotic to the point of mathematical precision.

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Something’s Gotta Give (2003)

Overstays its welcome, yes, but worse, it pretends like it's news when it isn't.

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11 Dec 2003 // 1:00 AM

The Statement (2003)

The Statement is a rarity: a serious, politically-minded thriller.

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Love Don’t Cost a Thing (2003)

The predominant image that emerges from Troy Beyers' Love Don't Cost a Thing is Steve Harvey's teeth.

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11 Dec 2003 // 1:00 AM

The Cooler (2003)

The Cooler is interested in the nature of luck, be it a product of destiny or psychology.

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