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Sunday, January 1 1995

The 6th Day (2000)

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The Score (2001)

...it's boy-movie-making 101, a very traditional plot point indeed.


Scary Movie (2000)

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Sunshine (1999)

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Star Trek: The Motion Picture (1979/2001)

Ambitious, strange, and grand. Nice to have you back, Captain (or rather, Admiral) Kirk.


The Stunt Man (1980/2001)

No matter how many times one watches ['The Stunt Man', it maintains] a kind of kamikaze bravado.


Series 7: The Contenders (2001)

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Swordfish (2001)

What is most distressing about 'Swordfish' is John Travolta. More and more, Travolta is becoming a caricature of himself as action anti/hero.


Supernova (2000)

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Stuart Little (1999)

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Save the Last Dance (2001)

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Shanghai Noon (2000)

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Shaft (2000)

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Songcatcher (2001)

PULL.


Saving Grace (2000)

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Sleepy Hollow (1999)

When the Burgomaster (played by still great Horror film legend Christopher Lee) sends Ichabod Crane (Johnny Depp) to Sleepy Hollow, you may suspect that Ichabod is being sent to the land of Hammer Horror, or perhaps the woods of Horror Movies Past.


Summer Catch (2001)

As I was watching the aseptically insipid 'Summer Catch', I confess, my mind wandered. And I got to thinking, has Freddie Prinze, Jr. ever made an unarguably good movie?"


The Story of Us (1999)

Here's a terrifying thought: each of the major turning points in your life is reducible to the hairstyle you're wearing at the time. Your graduation, your first job, your marriage, your dead goldfish, your vacation in Italy: all of it is mucked up when filtered through those misty-water-colored memory glasses. If it sounds awful in theory, it's even worse to see it acted out, on a wide screen with lots of close-ups of teary, badly-coifed movie stars backed by a treacly Eric Clapton guitar score.


Spy Kids (2001)

'Spy Kids' is all fun, sometimes obnoxious, and incessantly cheerful -- having your parents kidnapped is a minor inconvenience, leading to the chance to ride in a submarine that looks like a blowfish. How neat is that!"


Shadow Magic (2001)

To this end, Raymond brings/represents advances not only in technology, but also in romance. He and Liu start making money and inadvertently siphoning off Lord Tan's audience, but this is potential disaster Liu frets because he's actually trying to become financially worthy of marriage to Ling.


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