Sunday, January 1 1995
Sixteen years ago, a young filmmaker named Marti DiBergi set out to capture, in his words, 'the sights, the sounds, and the smells' of a workhorse British rock band named Spinal Tap.
Near the end of the film The Matrix, Neo (Keanu Reeves) begins to understand his own power. When he realizes that everything he is seeing is a computer program, the payoff shot for this knowledge shows the screen filled with the 1s and 0s which make up the objects and people previously seen. The shot is stunning, and lays bare not only the program within the film's narrative universe, but also the computer work necessary to create the effects in The Matrix.
The Scream series has always been about movies. But unlike most movies, the Scream movies have always been smarter than commentaries about it, and in particular, smarter than the commentaries about its commentaries on movies.
It's as though Silverman asked a group of 13-year-olds to describe a 'hippie' and then created the aging flower children based on their answers.
...it's boy-movie-making 101, a very traditional plot point indeed.
Ambitious, strange, and grand. Nice to have you back, Captain (or rather, Admiral) Kirk.
No matter how many times one watches ['The Stunt Man', it maintains] a kind of kamikaze bravado.
What is most distressing about 'Swordfish' is John Travolta. More and more, Travolta is becoming a caricature of himself as action anti/hero.