Reviews > Film

31 Jan 2002 // 3:00 PM

Slackers (2002)

Some movies just don't need to be made. And some movies work extra hard to educe comments just like that one, making the extra effort to gross you out, to annoy, alarm, or titillate you.

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31 Jan 2002 // 3:00 PM

Birthday Girl (2002)

. . . a mildly enjoyable film, offering some giggles and even a few shocking revelations.

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24 Jan 2002 // 3:00 PM

A Walk to Remember (2002)

PULL.

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24 Jan 2002 // 3:00 PM

Metropolis (2001) - PopMatters Film Review
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It's not so often that you see an anime as deliberately unsexy as Rintaro's 'Metropolis'.

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The Mothman Prophecies (2002)

As John (Richard Gere) begins to question his own journalistic rigor and even his sanity, a number of inconsistencies in the stories of the mothman crop up.

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The Count of Monte Cristo (2002)

It's exceedingly good to see Luis Guzmán looking so vibrantly out of place in Kevin Reynolds' 'The Count of Monte Cristo'.

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17 Jan 2002 // 3:00 PM

Snow Dogs (2002)

In 'Snow Dogs', Cuba Gooding, Jr. is all giggles and slapstick. I lost count of the number of times he slipped on the ice or fell in the snow.

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16 Jan 2002 // 3:00 PM

The Man Who Sued God (2001)

PULL.

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10 Jan 2002 // 3:00 PM

What Time Is It There? (2001)

'What Time Is It There?' presents what may be Tsai's most pronounced rendering of the impossibility of sexual intimacy and connection.

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10 Jan 2002 // 3:00 PM

Orange County (2002)

More than anything else, 'Orange County' is mundane.

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10 Jan 2002 // 3:00 PM

Charlotte Gray (2001)

The obvious reason for the glut of overly celebratory WWII films of the past few years is nostalgia for a time in American life when things like international politics and warfare were clear-cut.

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10 Jan 2002 // 3:00 PM

Charlotte Gray (2001)

... challenges the national ideologies, nostalgia and idealization that have become so commonplace in popular cultural imaginings of the 'great war'.

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3 Jan 2002 // 3:00 PM

Impostor (2001)

Based on a 1953 Philip K. Dick story, the film rehearses the usual Dickish concerns, namely, a male protagonist's loss of identity, confidence, and context in a dystopic SF future.

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24 Dec 2001 // 3:00 PM

Kate & Leopold (2001)

Never mind that Leopold is clueless when it comes to actual labor or the concept of class; as long as he's upper, he has no need to know anything more.

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24 Dec 2001 // 3:00 PM

Ali (2001)

Ali embodies a kind of car-wreck charisma -- arrogant and self-conscious, beautiful and fierce, even on twenty-year-old tape, he can take your breath away. This ability to mesmerize makes Ali who he is, or more accurately, who everyone wants him to be. He's a cipher and a screen onto which viewers might project themselves.

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20 Dec 2001 // 3:00 PM

The Majestic (2001)

PULL.

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20 Dec 2001 // 3:00 PM

Jimmy Neutron: Boy Genius (2001)

Full-length computer-animated features have, thus far, fallen into the realm of children's fantasy.

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20 Dec 2001 // 3:00 PM

Joe Somebody (2001)

It gets points for knowing what it is, a formulaic PG picture without pretensions to grandeur (and for not being 'The Majestic').

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20 Dec 2001 // 3:00 PM

How High (2001)

Meth is, as always, an exceedingly charismatic presence, and his partner an able comic foil.

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18 Dec 2001 // 3:00 PM

Little Otik (2000)

Jan Svankmajer taps into the appeal of the maternal horror story.

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