Reviews > Film

1 Jan 1995 // 1:03 AM

Tigerland (2000/2001)

'Tigerland' turns that same step of acknowledging a responsibility greater than oneself into a personal defeat, the inevitable breaking of a rebel.

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The Talented Mr. Ripley (1999)

On first hearing this voice-over at the beginning of Anthony Minghella's The Talented Mr. Ripley, you might think you're going to see a film about regret or guilt, or perhaps a refined kind of melancholy. But it's not long before you realize that for the speaker, Tom Ripley, such emotion - any emotion - is a performance.

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1 Jan 1995 // 1:03 AM

Tumbleweeds (1999)

In Tumbleweeds, Gavin O'Connor (who, besides starring in and directing the film, also wrote and produced it) presents us with a variation on the road-trip-buddy movie. While it's true that, after the likes of Thelma and Louise and Boys on the Side, the woman's version of this once typically male-only genre is no longer novel, O'Connor attempts to switch things up a bit by making his best friend protagonists mother and daughter.

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1 Jan 1995 // 1:03 AM

The Third Miracle (1999)

The production notes for The Third Miracle tout it as “a provocative and powerful mystery about a priest who, while investigating the life of a

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1 Jan 1995 // 1:03 AM

Toy Story 2 (1999)

Hey kids, if you haven’t seen Toy Story 2, better hurry so that you can find out what your toys are doing when you’re

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1 Jan 1995 // 1:03 AM

The Tic Code (2000)

While it does fall into disease-of-the-week-ish triteness and bumble into a trumped-up climax, The Tic Code also manages to display a refreshingly complex relationship between mother and son.

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1 Jan 1995 // 1:03 AM

Titus (1999)

Here’s how the world might end. Close-up of a boy’s eyes. Long shot of a kitchen table, cluttered with hot dogs, paper bags,

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Two Can Play That Game (2001)

If you've seen a movie based on a Terry McMillan novel, or gee, even a recent romantic comedy, you know exactly where 'Two Can Play That Game' is going.

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1 Jan 1995 // 1:03 AM

Traffic (2000)

As if a force unto themselves, beyond all legal, social, moral, or even political powers, drugs cross borders, produce wealth, cost lives. Drugs are a system, and they never stop moving.

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1 Jan 1995 // 1:03 AM

Town and Country (2001)

In case you're still looking for an effective pro-gun control message, this is it, and from Mr. NRA President himself.

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1 Jan 1995 // 1:03 AM

The Tao of Steve (2000)

As Dex's juvenile philosophy alone amply demonstrates, where their dicks are involved, guys really aren't that smart.

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3000 Miles to Graceland (2001)

Even the magnetic Ice T -- who has about three minutes on screen as a super-sneery mercenary and who has notoriously bad taste when it comes to picking scripts -- looks like he's made an unusually bad decision with '3000 Miles to Graceland'.

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1 Jan 1995 // 1:03 AM

Tilsammans (Together) (2000)

['Together''s peaceniks] have as little use for Marx as they have for Coke (although these vegetarians are not above eating the occasional hot dog).

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1 Jan 1995 // 1:03 AM

Turn It Up (2000)

Brooklyn-born Diamond (third Fugee Pras) is midway through cutting a record, which, the movie wants you to think, is off the proverbial hook.

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1 Jan 1995 // 1:03 AM

Titanic Town (1998)

The most important questions are framed as the contradictions facing the characters, not the rights and wrongs of any cause, thanks in part to the filmmaking team's attention to irony and nuance.

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Tre Fratelli serves as a powerful reminder of the importance of cherishing every moment we have on this earth.

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1 Jan 1995 // 1:03 AM

Trixie (2000)

The protagonist of every classic thriller is, in some way or another, a Holy Fool. From the Scarlet Pimpernel’s foppish banter to Pete Decker’

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1 Jan 1995 // 1:03 AM

This Is Spinal Tap (1984/2000)

Sixteen years ago, a young filmmaker named Marti DiBergi set out to capture, in his words, 'the sights, the sounds, and the smells' of a workhorse British rock band named Spinal Tap.

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1 Jan 1995 // 1:03 AM

Toy Story 2 (1999)

Near the end of the film The Matrix, Neo (Keanu Reeves) begins to understand his own power. When he realizes that everything he is seeing is a computer program, the payoff shot for this knowledge shows the screen filled with the 1s and 0s which make up the objects and people previously seen. The shot is stunning, and lays bare not only the program within the film's narrative universe, but also the computer work necessary to create the effects in The Matrix.

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1 Jan 1995 // 1:03 AM

Scream 3 (2000)

The Scream series has always been about movies. But unlike most movies, the Scream movies have always been smarter than commentaries about it, and in particular, smarter than the commentaries about its commentaries on movies.

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