Reviews > Film

9 Jan 2003 // 1:00 AM

Talk to Her (2002)

Its frank observations of love in excess of gender (or even sex) and its postmodern, eclectic style are distinctly reflective of our own present.

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9 Jan 2003 // 1:00 AM

Narc (2002)

Both Henry and Nick are addicted, in different ways, to the job, the adrenalin it churns up.

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9 Jan 2003 // 1:00 AM

Love Liza (2002)

Love Liza wallows in grief and asks its audience to do likewise.

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9 Jan 2003 // 1:00 AM

Just Married (2003)

Some movies don't need to be made.

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2 Jan 2003 // 1:00 AM

The Pianist (2002)

Confronted by one horror after another, Szpilman (Adrien Brody) is a startlingly original film protagonist.

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26 Dec 2002 // 1:00 AM

Rabbit-Proof Fence (2002)

Molly, Gracie, and Daisy's journey is mythic as much as it is historical.

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26 Dec 2002 // 1:00 AM

Chicago (2002)

Watching Chicago is rather like watching a shot-for-TV music video by a neophyte director projected without thought or re-cutting straight to a movie screen.

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26 Dec 2002 // 1:00 AM

Catch Me If You Can (2002)

Steven Spielberg's zippy new film is about the kind of 'truth' that might only be apprehended in its telling.

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19 Dec 2002 // 1:00 AM

Two Weeks Notice (2002)

People keep wanting Sandy Bullock to be sweet and feisty like she was in Speed.

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19 Dec 2002 // 1:00 AM

The 25th Hour (2002)

The 25th Hour opens with huge, hard-hitting shots of the March 2002 tribute to the Twin Towers, the towers of light.

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The Lord of the Rings: The Two Towers (2002)

It's useful to remember that, offscreen, both good and bad tend to be tricksy.

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19 Dec 2002 // 1:00 AM

Gangs of New York (2002)

Daniel Day-Lewis wears a tall stovepipe hat in Martin Scorsese's long-awaited Gangs of New York.

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19 Dec 2002 // 1:00 AM

Antwone Fisher (2002)

This single-mindedness can feel limited; there's obviously more to Antwone's story than the scenes in which he appears.

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13 Dec 2002 // 1:00 AM

Star Trek: Nemesis (2002)

As Nemesis amply demonstrates, the franchise is getting quite long in the tooth.

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13 Dec 2002 // 1:00 AM

Maid in Manhattan (2002)

This 'ethnic' modification of 'Pretty Woman'-meets-'Working Girl' uses the 'iconic' Lopez strategically.

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13 Dec 2002 // 1:00 AM

Intacto (2001)

Max von Sydow paints an empathetic portrait of the terrible consequences of misused power.

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13 Dec 2002 // 1:00 AM

Drumline (2002)

Its enthusiasm is hard to resist.

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13 Dec 2002 // 1:00 AM

About Schmidt (2002)

The expression on Schmidt's face every time he encounters another crisis does not convey anger, but befuddlement.

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Personal Velocity: Three Portraits (2001)

Each section lingers just a little, as if the characters will have trajectories beyond the minutes you see them.

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6 Dec 2002 // 1:00 AM

Adaptation

Careens between fiction and confession, repetition and revelation.

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