Reviews > Film

1 Jan 1995 // 1:03 AM

Unbreakable (2000)

'Unbreakable' might be best described as 'Die Hard' for art-house audiences.

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1 Jan 1995 // 1:03 AM

Under Suspicion (2000)

There's not much in this film that's subtle, but it does actually have something thoughtful to say about the ways that we perceive and assume truth, or the ways we might be convinced of some untruth because of our own anxieties. What you see can be -- and usually is -- deceiving.

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Urban Legends: Final Cut (2000)

Amy's just come up with her final project concept: a serial killer whose murders are based on urban legends. (Um, didn't someone already make this movie?)"

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Universal Soldier: The Return (1999)

It’s hard not to expect the worst of Universal Soldier: The Return. It’s clear in his late-night talk show interviews that the big

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1 Jan 1995 // 1:03 AM

Up at the Villa (2000)

What were they thinking? In Up at the Villa, Sean Penn plays a wealthy American rapscallion tearing around 1938’s Europe, arching his eyebrow by way

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1 Jan 1995 // 1:03 AM

Urbania (2000)

'Urbania' is all about stories, how they're told and how they are received, who shares and who withholds, or what anyone might mean by telling a story.

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1 Jan 1995 // 1:03 AM

U-571 (2000)

A Nazi U-boat commander, peering through a periscope, locks a merchant ship in his sights. After giving the order to fire, he studies the ship's flaming wreckage and proclaims that the crew has succeeded in breaking her back.

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1 Jan 1995 // 1:03 AM

Tape (2001)

What it gets you thinking about, while you watch it and for some time afterwards, is whether anyone can ever know what has 'happened,' and more disturbingly, how the tendency to want such knowledge can be violent.

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1 Jan 1995 // 1:03 AM

True Crime (1999)

Steve Everett is an old-school newspaper reporter, the kind who has improbable hunches that turn out to be right, who gives investigative reporters a good name, who's relegated to fiction these days. He's also more complicated than that, a self-styled macho boozer and womanizer, but recently slipped into another state, feeling confused and a little pathetic.

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1 Jan 1995 // 1:03 AM

A Time for Drunken Horses (2000)

Instead of making bold political statements, 'Drunken Horses' shows how its characters -- and the people they represent -- suffer, yet endure.

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1 Jan 1995 // 1:03 AM

Thirteen Days (2000)

There are lots of men in Thirteen Days. Upstanding, committed men, wearing somber suits, short haircuts, and serious looks on their faces. And serious they

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1 Jan 1995 // 1:03 AM

Trippin’ (1999)

Trippin’ opens with an impressively choreographed song and dance number, carefully emulating a Hype Williams rap video. Player’s in his big white house, laying

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1 Jan 1995 // 1:03 AM

Tomcats (2001)

'Tomcats' is a morally reprehensible film about bad people behaving badly.

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1 Jan 1995 // 1:03 AM

Tomb Raider (2001)

This spectacular image of androgynous, self-stimulating sexual excess speaks directly to the wonder and threat of Lara Croft, so adept at masculine and feminine wiles, and every wile in between.

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1 Jan 1995 // 1:03 AM

Titan A.E. (2000)

At the end of Don Bluth and Gary Goldman’s animated Titan A.E., after the ragtag group of humans have saved themselves and found

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1 Jan 1995 // 1:03 AM

The Tigger Movie (2000)

The camera moves gracefully through what is clearly a young boy’s room. It’s not just any young boy’s room, but that of

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1 Jan 1995 // 1:03 AM

Three to Tango (1999)

Movies are such a vital part of our culture. We go to the cinema, we rent videos, and even basic cable provides one or two movies at any given point in every day. So it's getting downright crowded out there in movie land, and therefore harder and harder to come up with something original.

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1 Jan 1995 // 1:03 AM

3 Strikes (2000)

For an unabashedly hyperbolic black gangsta comedy, 3 Strikes includes far too many moments that ring true.

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1 Jan 1995 // 1:03 AM

Training Day (2001)

Plausibility is plainly not Training Day's concern. It's more interested in images and ideas than practicalities.

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1 Jan 1995 // 1:03 AM

Topsy Turvy (1999)

British director Mike Leigh has turned out a string of critically lauded short and feature length films, as well as a number of television films

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