Reviews > Film

1 Jan 1995 // 1:03 AM

The Way of the Gun (2000)

“For the record, I’ll call myself Mr. Parker, and my associate will be Mr. Longbaugh.” By the time Parker (Ryan Phillippe) names himself, about

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When Brendan Met Trudy (2000)

Soon enough, they're locked in an opposites-attract sort of love affair, translated to a few scenes in which she behaves wildly in public and he discovers wild sex. Who knew this wussy guy was such a tiger in the sack?">

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1 Jan 1995 // 1:03 AM

The Watcher (2000)

You’d better look out your window, not too obviously, but very carefully. He may be watching you. He’s out there, always out there,

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1 Jan 1995 // 1:03 AM

Wonder Boys (2000)

Curtis Hanson's Wonder Boys is very much concerned with the boys its title declares (or, rather, with a certain sort of boyish behavior). More to the point, it actually seems to wonder, as we do and as the characters do, what is to be done with them.

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1 Jan 1995 // 1:03 AM

The Watcher (2000)

You might be old enough to remember those heady years when local theaters played Friday the 13th triple features and there were occasional midnight screenings

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1 Jan 1995 // 1:03 AM

Waking Life (2001)

Throughout Waking Life, the pictures rarely, if ever, stop moving, flowing, breathing -- attention has been paid to the animated environments, not just the characters in the foreground.

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1 Jan 1995 // 1:03 AM

Woman on Top (2000)

Penelope Cruz is as radiant a rising star as you're likely to see in this lifetime, sensuous and dewy-new-seeming.

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The Whole Nine Yards (2000)

WARNING: The following review contains spoilers. The Denominator of Denial The director of The Whole Nine Yards, Jonathan Lynn, used to specialize in delectable mayhem

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1 Jan 1995 // 1:03 AM

Where the Money Is (2000)

Where the Money Is opens with two high school graduates — played improbably by Linda Fiorentino and Dermot Mulroney — cruising down a nighttime road in their

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1 Jan 1995 // 1:03 AM

What Women Want (2000)

At the start of What Women Want, we learn the definition of a “man’s man.” This lesson comes first from the ex-wife of Nick

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What’s Cooking? (2000)

What’s Cooking? opens with a photograph of a white, All-American-looking family gathered around a Thanksgiving turkey. As the camera zooms out, we discover the

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With a Friend Like Harry (Harry, un ami qui vous veut du bien) (2001)

There are plenty of anxieties to go around here, most of them concerning what it means to be -- or at least behave like -- a man.

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1 Jan 1995 // 1:03 AM

Wendigo (2002)

Considers the possible effects of transposing a 'natural' justice system onto human conflict.

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1 Jan 1995 // 1:03 AM

What Lies Beneath (2000)

CAUTION: This review contains spoilers, although frankly, it doesn’t reveal much more information than the film’s trailer does. “Take Me Away!” The most

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1 Jan 1995 // 1:03 AM

The Wood (1999)

During opening week for The Wood, MTV ran a game show based on the movie — or more precisely, based on promoting the movie, as it

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1 Jan 1995 // 1:03 AM

Wild Strawberries (1957/2002)

One of Ingmar Bergman's best films and certainly one of the best ever made on the subject of aging.

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1 Jan 1995 // 1:03 AM

Wildflowers (1999)

Occasionally, a movie comes along that attempts to remember the '60s as a time like all others, with competing ideologies, and both good and bad effects.

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1 Jan 1995 // 1:03 AM

Waking the Dead (2000)

Though some viewers might not compare producer-director Keith Gordon to John Huston as adaptors of literature to film, Gordon makes films which are regularly praised for their 'faithful' transfer of literary texts.

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1 Jan 1995 // 1:03 AM

Waking Life (2001)

Interpolations Waking Life begins with two kids (Trevor Jack Brooks and Lorelei Linklater, daughter of the film’s director Richard Linklater) playing a paper hand-puzzle

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1 Jan 1995 // 1:03 AM

The World Is Not Enough (1999)

I can't help it; whenever I hear that opening theme music to a James Bond film, I get a tingle. I can't help but to hope for the best. This time out, my hopes were raised by a great opening sequence to The World Is Not Enough, which involves a thrilling highspeed boat chase. What's more, TWINE gives us the premise for a most excellent villain.

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Country Fried Rock: Drivin' N' Cryin' to Be Inducted into the Georgia Music Hall of Fame

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""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn Kinney

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