Reviews > Film
‘The Killers’ DVD Is a Double Whammy

Criterion brings two film versions, one a classic and one a misfire, of Ernest Hemingway's short story, "The Killers".

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What Zone Were the Writers of ‘Zone Troopers’ In?

This banal imitation of WWII B-movies is a perplexing and tedious film that never fully commits to the genre blending that could have elevated it to B-movie standards.

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In ‘Tea Time’, 60 Years of Illusions and Pretense Are Pleasantly Lost

Filmed over six years, Maite Alberdi's lovely, profound documentary observes five former Catholic high school classmates' conversations.

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‘Ex Machina’ and the Moral and Intellectual Facets of AI Development

Ex Machina treats its audience with reverence and care, and as a result, it's a film that can be dissected and appreciated by both humans and sentient robots alike.

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The Political Allegory in ‘White God’ Has Quite the Bite

White God ferociously tells a universal story about the ties that bind us, and the forces that try to tear them apart.

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The Fight Scenes in ‘Southpaw’ Are Brutal and Beautiful

The fight scenes comprise a slamming mix of point of view shots, ringside images, and dazzling choreography showcases, as well as generally corny reaction shots.

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‘Pixels’ Can’t Survive It’s Hackneyed Script

Other elements of the movie almost work. The screenplay definitely doesn't.

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‘Timbuktu’ Sends a Powerful Message About Jihadism

Timbuktu isn’t just a film about jihadism. It’s a film about the vibrant cultures jihadism can eradicate if it continues to spread.

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Los Angeles Film Festival 2015

The Los Angeles Film Festival continues to lean in amongst a decidely crowded festival market.

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‘It Follows’ Has a Deep Dread on Its Mind

This movie is often creepy and unnerving, but it's not unbearably terrifying, if only because Mitchell's distinctive voice as a filmmaker is such a pleasure to behold.

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Soldiers vs. Werewolves in the Scottish Highlands

Through their relentless bloodlust and willingness to organize and plot with their own kind, these werewolves are, in many ways, like us.

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Sexual Horror in ‘Valerie and Her Week of Wonders’

This film presents adolescent desires as if it were a raging ocean of mercury – beautiful and deadly all at once.

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On Miyazaki’s Gross, Funny and Touching ‘Spirited Away’

The imagination of the film is unparalleled, but what truly makes Spirited Away a masterpiece is how it imbues the fantastic with so much real feeling.

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‘Report to the Commissioner’ Explores Personal Politics on the Force

New York City's seedy underbelly of pimps and prostitutes is explored in this crime drama of police department politics.

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‘Mommy’ Is an Overpraised Mess of a Movie

Middlebrow, glib, and unjustifiably pleased with itself, the winner of the Cannes Jury Prize arrives on DVD.

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‘Trainwreck’ Isn’t Enough of One

Amy Schumer’s rom-com isn’t the raunch fest that Trainwreck's pre-release hype has promised. It’s more like a typical Judd Apatow movie about childish adults growing up.

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‘Ant-Man’ Wants to Be So Much Bigger

Having given up on making stand-alones, Marvel's desire to tie everything into its "universe" hinders this movie's inherent joy.

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‘Court’ Is a Wise, Incisive Contemplation of India’s Institutional Mechanics

You see that the system is rigged, not to produce justice or even revenge, but to keep people performing, to keep workers in line.

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Elliott Smith’s Story Gets Due Respect in ‘Heaven Adores You’

Rejecting the narrative of tragedy so often imposed on the life of Elliott Smith, Heaven Adores You celebrates the life and art of one of modern music's most revered figures.

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Dziga Vertov’s ‘The Man With the Movie Camera’ Remains a Fascinating Documentary

Dziga Vertov believed that the camera could function as an extension of the human eye, and could see and record a truth that the ordinary human eye would miss.

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Country Fried Rock: Drivin' N' Cryin' to Be Inducted into the Georgia Music Hall of Fame

// Sound Affects

""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn Kinney

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