Reviews > Film
‘Welcome to Leith’ Tells of the Day the Nazis Came to Town

When a white supremacist tried to turn this tiny North Dakota town into his own Aryan enclave, the locals were horrified but found that they had limited resources to fight back.

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Who Are We Supposed to Feel Sorry for in ‘Good Kill’?

Good Kill has a lot to say, and the conviction to say it loudly, but gets lost in a series of predictable plot points.

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‘Z for Zachariah’ Is the Anti-‘Mad Max’

A post-apocalyptic pastoral turns primal radioactive love triangle in this throwback drama starring Chiwetel Ejiofor, Margot Robbie, and Chris Pine.

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Owen Wilson Plays the Hapless American in ‘No Escape’

Again and again, No Escape shows that this is not how the clueless American planned for things to "work out", that he's a victim.

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‘I Dream of Wires’, Like Its Subject, Is Large, Intimidating and Multi-faceted

Before the film's halfway point, you are not dreaming of wires, you are in the wires.

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The Struggling Economies of ‘Two Days, One Night’

With a clear respect for the struggle of its characters, Two Days, One Night crafts a story that reveals the strife inherent in the economic system.

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How Might ‘Meru’ Be Measured?

Climbing Meru might be represented in a film, but even as it's shared here among the three climbers, each has his own version of what happened.

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The ‘Magician’ Is Orson Welles, But Not As You Know Him

The story of extravagant talent unfulfilled is turned on its head in this simplistic yet entertaining retelling of Orson Welles' career

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‘Eyes Without a Face’ Is Full of Fairy Tale Aesthetics

In Eyes Without a Face, French director Georges Franju lifts a fairly standard horror film narrative into the realms of poetic fable.

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‘Citizenfour’ Is Invaluable Cinéma Vérité

I welcome Oliver Stone’s forthcoming biopic about Snowden with an open mind, but I doubt that it will surpass the riveting realism of Citizenfour.

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Both Obvious and Evasive, Carol Morley’s ‘The Falling’ Fails to Do Justice to Intriguing Theme

There’s a genuinely provocative, disturbing film trying to get out of The Falling.

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Someone Sprayed Paraquat on ‘American Ultra’

This movie will harsh your buzz, man.

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Al Pacino Is the Showstopper in ‘Danny Collins’

Al Pacino steals the show as Danny Collins in a feel-good redemption story that also happens to be his best role in many years.

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The First Wave of Releases in ‘The Films of Charlie Chaplin’ Find the Tramp at His Comic Peak

The Kid, The Gold Rush and The Circus prove that the years have done nothing to diminish the brilliance of Chaplin's early comedy.

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‘Shaun the Sheep Movie’ Isn’t All Just Fluff

Aardman Studios' stop-motion film introduces basic yet layered characters and sends them on clever, oftentimes funny adventures.

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19 Aug 2015 // 2:10 AM

A Bit of ‘British Noir’

There's a cool premise or two in this lot and, honestly, two fairly cracking pictures.

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‘Hackers’ Proved to Be Ahead of Its Time

Initially received with mixed reviews, Hackers has become something of a cult classic whose plot eerily makes more sense today than when it did when it was released.

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‘Child 44’ Is Worth 44 Seconds of Your Time, Probably Less

This universally panned "thriller" is about as thrilling as a conversation with a parking meter.

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The Who’s ‘Lambert and Stamp’ Is a Murky Telling of an Unknown Chapter in Rock History

This film tells the story of two men who formed an unlikely partnership and persuaded The Who to sign with them, despite their lack of connections and experience in the industry.

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Tarzan Meets Jane in the Urban Concrete Jungle of ‘Wild Thing’

From the wide range of ‘80s cheese to choose from, Wild Thing offers very little of the tang that makes the slightly better ‘80s schlock a little more fun to watch.

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//Mixed media

Con Brio: The Best New Live Band in America?

// Notes from the Road

"There’s a preciousness to McCarter and the rest of the mostly young band. You want to freeze the moment, to make sure they are taking it all in too. Because it’s going to change.

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