Reviews > Film
‘The Space Between Us’ Almost Works

Ultimately, Peter Chelsom’s sci-fi romance is just a bad movie about a Martian and his girlfriend playing hide-and-seek from some space cops.

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The Visual Aesthetic of ‘Don’t Knock Twice’, Like Its Moral Agenda, is Dark

The film delivers on two levels. Savor its clever annotations of feminist horror film theory. Or just enjoy the more visceral pleasures of fear.

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Murder She Sang: Stardom and Psychosis in Eckhart Schmidt’s ‘The Fan’

A close-cutting examination on fame and the persuasive power of celebrity, The Fan is rife with tension and controversy.

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Sundance 2017: ‘The Discovery’ + ‘The Rebel in the Rye’

Sundance explores life after death in The Discovery and life after fame in The Rebel in the Rye.

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27 Jan 2017 // 1:00 PM

Sundance 2017: ‘Wind River’ + ‘The Force’

Two new films at the Sundance Film Festival -- a murder mystery and a vérité documentary -- ask the same two questions: who has the authority to dispense justice, and with how much violence?

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Sundance 2017: ‘Crown Heights’ + ‘Brigsby Bear’

The Sundance Film Festival features two films with wildly different approaches to wrongful imprisonment, a true story reimagined in Crown Heights and a whimsical enchantment in Brigsby Bear.

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Sundance 2017: ‘The Polka King’ + ‘Band Aid’

Two films about very different musical genres -- from polka to sweet crooning to punk-rock screaming -- take center stage at Sundance Film Festival 2017.

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‘I Am Michael’ Reminds Us That Identity Struggle Takes on Many Forms

I Am Michael, while an uneven film, is also an important cinematic work which evokes intelligent discourse and empathy in its exploration of sexual and religious identity issues.

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26 Jan 2017 // 9:00 AM

Sundance 2017: ‘Raw’ + ‘XX’

In recent years, Sundance has developed a reputation for showcasing distinct and notable horror films. This year, that prize might well go to Raw by default.

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Sundance Film Festival 2017: ‘Lemon’ + ‘Wilson’

This year's Sundance Film Festival delivers misanthropy with two new comedies, Lemon and Wilson.

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Sundance 2017: ‘Before I Fall’ + ‘A Ghost Story’

'Before I Fall and A Ghost Story offer some haunting insight into the human condition.

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24 Jan 2017 // 12:15 PM

Sundance 2017: ‘The Big Sick’ + ‘Roxanne Roxanne’

These two Sundance entries introduce fast-talking protagonists who take the art of comedic dialogue to new heights in speed and certainly in social satire.

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24 Jan 2017 // 11:00 AM

Sundance 2017: ‘Whose Streets?’ + ‘Dayveon’

On opening night at the Sundance Film Festival, two films raised questions about how black Americans' experiences can be more effectively shared and understood.

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Sundance 2017: ‘Person to Person’ + ‘Landline’

At Sundance, the indie dramas Person to Person and Landline take markedly different approaches to bring their eccentric characters to life.

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Space Oddity: ‘The Man Who Fell to Earth’ is Strictly a Vehicle for David Bowie

Nicolas Roeg’s mid-'70s sci-fi misfire about an alien (Bowie) trying to save his planet but falling prey to Earth’s temptations is self-indulgent garble with a haunting premise.

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Sundance 2017: ‘Ingrid Goes West’ + ‘Bitch’

Sundance continues the Hollywood tradition of exploring mental illness with Ingrid Goes West and Bitch.

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Sundance 2017: ‘An Inconvenient Sequel’ + ‘I Don’t Feel at Home in This World’

The 2017 Sundance Film Festival opens with two films about making the world a better place -- in two very different ways.

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One of Them Is Not One of Us in M. Night Shyamalan’s ‘Split’

The movie's version of Dissociative Identity Disorder is not science, but metaphor, and horror movie metaphor at that.

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‘20th Century Women’ Holds Particular Relevance for 21st Century Women

As much as it considers the past, 20th Century Women's profound confidence in women's strength and ingenuity proposes a way to look forward.

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For Better or Worse ‘Detour’ Plows Ahead

Christopher Smith's new noir outing is a scuzzy and flawed 90 minutes, elevated by a compelling, three-pronged cast.

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