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Thursday, August 28 2014

Opeth: Pale Communion

Pale Communion is both the culmination of Opeth's journey toward classic progressive rock and its best work since Ghost Reveries.


Ty Segall: Manipulator

The often quick-working Segall took 14 months to make Manipulator, but it's not so much a wild departure sonically as it is a return to and refinement of tangents we've heard from him in the past.


Tinnarose: Tinnarose

Tinnarose is a singer-songwriter showcase of the highest order, and there’s plenty of material to keep coming back to.


Various Artists: Kompakt Total 14

After taking a year off to celebrate the label's 20th anniversary, Kompakt's annual Total compilation is back.


The Cleaners From Venus: Volume Three

This third volume of reissues from the Cleaners From Venus gives us another set of complications to consider in Martin Newell's work.


Centro-matic: Take Pride in Your Long Odds

Take Pride in Your Long Odds adds further talking points to Centro-matic’s esteemed canon.


Wednesday, August 27 2014

The New Pornographers: Brill Bruisers

Brill Bruisers, with its blaring, neon keyboards and deep hooks, is both a prototypical New Pornographers record and another variation on the band's established themes.


Todd Snider: Cheatham Street Warehouse

Snider covers Kent Finlay on Cheatham Street Warehouse to raise funds for Finlay’s medical care.


The Rentals: Lost In Alphaville

Matt Sharp's side project-turned-band is back, and they sound just like most of you remember them. But is that really such a good thing?


Imelda May: Tribal

When May rants about a "Wild Woman", we know that it's the woman that lives inside her. She ferociously attacks the lyrics, growling and stuttering as needed.


Kindred the Family Soul: A Couple Friends

Soulful duo Kindred the Family Soul retain the refined persona of R&B on latest album A Couple Friends.


Tuesday, August 26 2014

Basement Jaxx: Junto

The UK progressive house duo is in transition on their latest full-length.


Cymbals Eat Guitars: Lose

For its themes of loss and longing, its wide-eyed sense of wistfulness, for all of its hopefulness in misfortune, Lose ends up being a win.


Liam Bailey: Definitely Now

Liam Bailey’s first full length album, Definitely Now , is so genre-defying that if not for the unmistakable voice of Bailey, it could seem like a mixtape of several artists.


The Gun Club: Fire of Love

A sawed-off, hard-bitten punk sensibility and a bluesy, drawn-out compulsion to sink deeper into cloudy depths. The Gun Club's debut from 1981 wallops on this reissue as exciting, entertaining and evil as ever.


Peter Gabriel: Back to Front

Peter Gabriel Live in London... So?


Monday, August 25 2014

Ariana Grande: My Everything

In trying to sound like everything else on the charts, Ariana Grande continues to have one of pop music's most distinctive voices that has very little to say.


Cold Specks: Neuroplasticity

With its smorgasbord of texture and tones, Neuroplasticity is a real contender for Canadian Album of the Year.


Mirel Wagner: When the Cellar Children See the Light of Day

There's a coffin-like closeness and aloneness to each and every song on Mirel Wagner's Sub Pop debut. It's a fitting feel for a record so focused on death.


Eric Clapton and Friends: The Breeze: An Appreciation of JJ Cale

It’s safe, which only gets The Breeze: An Appreciation of JJ Cale so far, but, this record will undoubtedly get a lot of people to revisit, or discover JJ Cale, which is a win in itself.


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