Reviews > Music
Peter Silberman: Impermanence

Antlers' frontman Peter Silberman releases the solo LP Impermanence which works wonderfully as a peaceful protest among louder glitchier new releases.

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Daniel Brandt: Eternal Something

Daniel Brandt commits himself to his vision and challenges the expectations behind typical song composition to produce a sound all of his own.

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24 Mar 2017 // 8:24 AM

Mastodon: Emperor of Sand

Emperor of Sand is by no means a bad album, but there's little here that the band hasn't already explored.

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Will Johnson: Hatteras Night, A Good Luck Charm

Complex and incongruent, the songs of Hatteras Night, A Good Luck Charm linger like a West Texas wind, proving us all saints.

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Anthrax: For All Kings (7-Inch Box Set)

A set like this is less about the music and more about having something that says, "I am a fan, and this is the proof".

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Red Baraat: Bhangra Pirates

Stripped-down production and intricate arrangements let Red Baraat get the party started on Bhangra Pirates.

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Samantha Fish: Chills & Fever

Chills & Fever finds Samantha Fish injecting a dose of Detroit-bred garage rock into her paradigm of Memphis soul, Delta blues, and Motown R&B.

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Green Day’s ‘Revolution Radio’ Tour Wallops Audience at Barclays Center

Billie Joe and co. are on the road for a supercharged tour -- and Trump is only stoking their fire further.

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22 Mar 2017 // 9:01 AM

Béla Fleck: Juno Concerto

For his second foray into classical composing, banjo virtuoso Béla Fleck enlists the help of the Colorado Symphony Orchestra to bring to life the concerto inspired by his son, the titular Juno.

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Formation: Look at the Powerful People

South London quintet, Formation, release a debut packed album with rich grooves tailor made for the dancefloor, but their socio-political ambitions fall disappointingly short.

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22 Mar 2017 // 8:38 AM

Pallbearer: Heartless

Pallbearer’s third album Heartless exists outside of easy genre signifiers. This band is in a league all their own.

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Craig Finn: We All Want the Same Things

Craig Finn's new album continues to differentiate his solo material from the Hold Steady, but without Tad Kubler's guitar heroics as a buffer, his lyrics can be pretty harrowing.

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21 Mar 2017 // 2:20 AM

Anjou: Epithymía

Epithymía is ambient music at its grandest scale, molding a sense of sublime wonder through its six tracks.

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Mostly Other People Do the Killing: Loafer’s Hollow

For their latest avant rendering of jazz and culture in a broader sense, MOPDTK take on trad jazz in a decidedly non-traditional manner, using literary titans from Pynchon to Joyce to Vonnegut as source material.

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Los Campesinos!: Sick Scenes

The British indie pop collective are still going strong ten years after their debut album. Their latest shows the remarkable consistency of their songcraft.

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21 Mar 2017 // 2:02 AM

Natalie Hemby: Puxico

In the case of Natalie Hemby, she takes an old trope in dedicating an album to a small town and making it new again, all by her own means.

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Sting Wraps up North American Leg of ‘57th & 9th’ Tour on Winteriest of Nights

Sting went back to rock on his latest album. His enjoyable tour covers the entirety of a phenomenal musical career.

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DeadPhish Orchestra Soars Over the Hills and Far Away in the Bay

There’s only band that actively seeks to mix Phish and the Grateful Dead together like Reese's Pieces and that’s the DeadPhish Orchestra.

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Mount Eerie: A Crow Looked at Me

A Crow Looked at Me is a masterpiece in the manner of A Grief Observed and “She Will Find What is Lost”. These works create a special communion between creator and observer.

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20 Mar 2017 // 2:20 AM

A7PHA: A7PHA

Alt-rap veterans Doseone and Mestizo combine for A7PHA's debut record, an experimental album that will challenge and bemuse many listeners but remains deeply original and technically fantastic.

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'Steep' Loves Its Mountains

// Moving Pixels

"SSX wanted you to fight its mountains, Steep wants you to love its mountains.

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