Tuesday, April 28 2015
Brown Bird's final album finds them expanding their sound without sacrificing their personality. And using drums played with hands, not just foot pedals.
The Montreal trio's latest album shows an increasingly refined sense of knowing when to nurture one impulse and temper another, embracing compromise without sacrifice.
Raucous and debauched, From the Basement has the strut and swagger of Stevie Ray Vaughn and the decadently ragged appeal of ‘70s Rolling Stones.
Seasick Steve shows excellence while away from his comfort zone, but re-re-fried blues is a dead end.
If the Soft Moon's techno-mope isn't exactly authentic, it's certainly genuine and most definitely consistent on Deeper.
Mixtape of the Open Road is as cohesive and dynamic as the road itself.
Monday, April 27 2015
The Magic Whip is a goofy record, featuring a kind of scattershot energy that is usually only mustered by young bands just discovering their love of music for the first time.
Ava Luna's latest is as multilayered and pleasantly bewildering as the "infinite house" where it was recorded.
Golden may be the one record to bring Johannes Mayer (The Late Call) to wider awareness.
The shift from Portico Quartet to Portico wasn't an evolution; it was a dismantling, a removal of so much of the soul that once made them vital.
Electronic supergroup Future Brown serve up a quietly evolutionary debut that blends multi-cultural styles without sacrificing mass appeal.
If you don't like music, then you'll adore Maximum Entropy.
Friday, April 24 2015
Numero Group’s 16-disc box set of phone calls featuring Scharpling & Wurster is both the sort of product that might have been lampooned on The Best Show on WFMU as well as a great monument to their first, weird era together.
Even when Damogen Furies starts to become overfamiliar in its spastic rhythmic explorations, Squarepusher finds a way to upset the listener's expectations.
A solid album with a number of beguiling songs and a lot of spirit, A Forest of Arms is the sound of a band well into their musical journey, with many more miles still to go.
The music sounds old, as if it was meant to be played on a 78 rpm turntable, but without the scratchiness.
Anthology serves its purpose -- that is, to compile Howe’s solo stock and spotlight him outside the confines of his day job.
Thursday, April 23 2015
John Moreland proves there's nothing sanctimonious about singing the truth on High on Tulsa Heat.
A survivor band if ever there was one, the Charlatans have drawn on personal tragedy to produce one of the stand-out albums of their long career.
Hospital Handshakes is a milestone in Rocky Votolato’s career and one that would do well to serve as a springboard for all his efforts going forward.