Wednesday, July 23 2014
The songs on A Period of Review were essential to Leimer developing his own style. Whether or not they're essential to your music library is another matter.
Tuesday, July 22 2014
Day two of Forecastle concluded with the audience being rocked to muscle weakness.
For the Recently Found Innocent, Tim Presley's first studio-made record as White Fence ups the ante over his previous work.
Yasiin Gaye swings back around for round two of the long-playing soul/hip-hop mashups. Nice.
This is a pretty dull record that doesn’t excite the listener – you’ve heard this all done before on Psychocandy or Darklands or elsewhere.
The Hollies were one of the most successful acts of the '60s, but are almost always relegated as a footnote.
Mac Miller continues on his path following money, fame, drugs and alcohol, while writing some clever, craftily worded lyrics along the way.
Monday, July 21 2014
From the minimalist indie rock of Spoon to the extravagant performance by OutKast, day one of Forecastle did not disappoint.
The collaborators are different, but the voice is just as strong, and has only gotten better with time.
America’s hardest working funnyman returns with his 10th full-length album, First of Dismay. Repulsive, repellent, live out your fears.
Carly-Jo is a magnificent addition to New Country sounds, and represents the very best of what country-pop, country-rock or whatever you want to call it has to offer.
(Clan of) Xymox launched their career with the long out-of-print EP Subsequent Pleasures. Dark Entries reintroduces this odd yet compelling recording to those who missed out on it the first time.
With the best of intentions, British producer Daniel Boyle reunites Scratch with his vintage '70s dub equipment.
Friday, July 18 2014
An updated, exquisite, extraordinary, genuine electronic classic.
If you love crisp, jangly, guitar rock, the Clean's Anthology is quite the collection.
Bubba Sparxxx has made plenty of good songs and a couple of great albums. Made on McCosh Mill Road, unfortunately, has very few of the former and is not the latter.
On 48:13, Kasabian largely eschew rock, pop and melody for a sound dominated by electronica and synths. With this they have lost a lot of what made them so good.
Sheffield lads continue their run of exceptional, hook-laden indie pop with their latest release.
Thursday, July 17 2014
Shattered, Reigning Sound's first full-length in five years, is the kind of record that pays tribute to the past, even walks in its shadow, but also provides its own strut.
Neon Icon showcases all the reasons you love (or hate) RiFF RaFF, but it also proves he can put together a cohesive record.